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Saturday 20 August 2016

"Street Corner Symphonies Volume 9: 1957" by VARIOUS ARTISTS (2012 Bear Family CD - Marcus Heumann Remasters) - A Review by Mark Barry...



"...The Look Of Love..." 

Hot on the heels of their definitive "Blowing The Fuse" and "Sweet Soul Music" CD Series (15 volumes to each genre of R'n'B and Soul) comes their Vocal Group attack - 15 discs spanning 1939 to 1963. Volumes 1 to 10 hit the shops in 2012 and the last five in the spring of 2013. And while critics will argue that Vocal Group music has already been done to death by Rhino (3 x 4CD Box Sets across the decades) and a mountain of other cheapo labels taking advantage of the 50-year copyright law - this is the first time someone reputable (other than Rhino) have had a go - and typically these Bear Family CDs are gorgeous in all the right places - presentation and audio. Here is The Book Of Love, Baby Oh Baby, Dedicated To The One I Love...

Released October 2012 in Germany - "Street Corner Symphonies Volume 9: 1957" by VARIOUS ARTISTS on Bear Family BCD 17287 AR (Barcode 4000127172877) breaks down as follows (I've provided American single catalogue numbers on all tracks - 87:23 minutes):

1. Get A Job – THE SILHOUETTES (Junior 391, A)
2. Maybe – THE CHANTELS (End E-1005, A)
3. Little Darlin’ – THE GLADIOLAS (Excello 2101, A)
4. To The Aisle – THE FIVE SATINS (Ember 1019, A)
5. Searchin’ – THE COASTERS (Atco 6087, A)
6. Florence – PARAGONS (Winley 215, A)
7. Dedicated To The One I Love – THE “5” ROYALES (King 5098, A)
8. Book Of Love – THE MONOTONES (Argo 5290, A)
9. Long Lonely Nights – LEE ANDREWS and The Hearts (Chess 1665, A)
10. Mr. Lee – THE BOBBETTES with Reggie Obrecht Orchestra (Atlantic 45-1144, A)
11. Been So Long – THE PASTELS (Mascot M-123, A and Argo 5287, A)
12. Whispering Bells – THE DEL VIKINGS featuring Krips Johnson (Fee Bee FB-214, A)
13. Baby Oh Baby – THE SHELLS (Johnson 104, A)
14. Everyone’s Laughing – THE SPANIELS with Al Smith’s Orchestra (Vee Jay VJ 246, A)
15. Silhouettes – THE RAYS (Cameo 117, A)
16. Tell Me Why – NORMAN FOX and The Rob-Roys (Back Beat 501, A)
17. Why Do You Have To Go – THE DELLS (Vee Jay VJ 236, A)
18. Lover Boy – THE CLEFTONES (Gee G-1048, A)
19. Deserie – THE CHARTS (Everlast 5001, A)
20. My Girlfriend – THE CADILLACS (Josie 820, A)
21. Could This Be Magic – THE DUBS (Gone 5011, A)
22. Walking Along – THE SOLITAIRES (Old Town 1034, A)
23. Little Bitty Pretty One – BOBBY DAY and The Satellites (Class 211, A)
24. Tonite, Tonite – MELLO-KINGS (Herald H-502, A)
25. Peanuts – LITTLE JOE & THE THRILLERS (Leroy Kirkland Orchestra) (Okeh 4-7088, A)
26. Don’t Say Goodnight – THE VALENTINES (Rama RR-228, A)
27. Rang Tang Ding Dong (I Am The Japanese Sandman) – THE CELLOS (Apollo 510, A)
28. Happy, Happy Birthday Baby – THE TUNE WEAVERS (with Frank Paul’s Orchestra) (Checker 872, A)
29. Dance With Me – THE EL TORROS (Duke 175, A)
30. Can I Come Over Tonight – THE VELOURS (Sammy Lowe Orchestra) (Onyx 512, A)
31. Buzz-Buzz-Buzz – HOLLYWOOD FLAMES (Ebb 119, A)
32. So Strange – THE JESTERS (with David Clowney’s Band) (Winley 218, A)
33. Congratulations – THE TURBANS (Herald H-510, A)
34. Four O’Clock In The Morning – STANLEY MITCHELL and The Tornados (Chess 1649, A)

The 80-page non-detachable booklet is a feast of indepth liner notes on each release by Grammy-winning writer and lifelong fan BILL DAHL. Let's put it this way - there's a 'Photo Captions' index on Page 79 that tells who's who in the black and white publicity shots that accompany most (not all) of the photos. It actually lists the singer's names  - who else but Bear would do this? There are cool trade adverts from 1957 peppering the text and some of those rare American 45 labels are even pictured in colour (Ebb, Atlantic, Chess, Winley). The CD repros the rare "Four O’Clock In The Morning" by Stanley Mitchell and The Tornados (a rare and beautiful outing for Chess with Vocal group material) and the spine makes up a single photograph of the series name when you line up all 15 volumes alongside each other on a shelf. Long-standing and trusted names like Walter DeVenne and Billy Vera have been involved and MARCUS HEUMANN did the superb mastering. The sources (as you can imagine) differ wildly but to my ears the sound quality is improved on everything that I've heard before (including some of the Rhino box sets). The audio and presentation are top-class here...

1957 continued on from 1956 in being a pivotal year in Vocal Group history - hitting something of a pinnacle – beautiful ballads and cracking dancers combining to make this CD a wonderful overall listen (and all of it in top audio quality). In fact if I was pushed – and in terms of sheer vocal beauty/fun - I would say that Volume 9 for 1957 is the compilation jewel in the crown for the entire “Street Corner Symphonies” run of 15 titles.

While the “dip, dip, dip…” opening of “Get A Job” by The Silhouettes has always been a topical and fun tune ("if there is any work for me!") – Vocal group magic really kicks in with the truly gorgeous "Maybe" by The Chantels (on End Records). Arlene Smith’s extraordinary vocals shine on this love song that made No. 2 on the American Billboard R&B charts in early 1958. The same applies to The Dubs and their sneakily lovely "Could This Be Magic" where Richard Blandon’s Lead Tenor soars as he croons about “having your love” (a No. 23 hit for the Harlem group on Billboard’s Pop charts in August 1957). But I could happily live without hearing the awful castanets of “Little Darlin’” ever again (by anyone) – better is the genuinely touching wedding favourite “To The Aisle” by The Five Satins (“each step draws you closer…”).

In between the ballads and crooners you get wicked Fifties R 'n' B dancers like the "on my merry way" song "Walking Along" by The Solitaires while Bobby Day does his Thurston Harris impression on “Little Bitty Pretty One” (top audio quality too). Lieber & Stoller’s incredible wit and knack with a hooky melody comes screaming through the decades with The Coasters doing “Searchin’” where our hero tells us “Sam Spade and Bulldog Drummond…ain’t got nuthin’ on me…” The drums come loud and clear inbetween the vocal gymnastics for The Monotones on their classic “Book Of Love”. Chess puts in a rare Vocal Group nugget with Lee Andrews pines “what’s left for me to face…” on “Long Lonely Nights”. The boppin’ “Mr. Lee” has always been a great party tune but then you’re hit with one of the genres masterpieces – the so sweet “Been So Long” by The Pastels on Mascot (reissued on Argo in 1958). It’s a listed $300.00 rarity on the original label and you can easily hear why - gorgeous.

The soft-shoe-shuffle of “Whispering Bells” by The Del Vikings is another superb dancer. Two rarities follow in the shape of The Shells and The Spaniels – the first a romantic smoocher – the other a sort of mid-tempo Salsa pleader. “Why Do You Have To Go” is typically classy of The Dells – a group that have continued for near 50 years after the event. We go all Mad Men cool with the slick bopper “Lover Boy” from The Cleftones about a “run around boy” who steals girls (“brother better beware…”).  And on it goes to the obscure but brilliant “Four O’Clock In The Morning” by Stanley Mitchell – a rare outing on Chess for the genre – piano and drums slowly working the “so worried” lyrics and Clyde McPhatter soundalike vocals. Fab…

Niggles - they're too expensive as singles discs and perhaps they should have been doubles because real collectors will have more than a few titles on offer here. Bear Family will argue 'but not in this sound quality or presentation' - and they'd have a point.

Presented to us with love and affection by a company that cares about forgotten voices that shouldn’t be forgotten. What a sweetheart of a compilation and another gold standard from Bear...

"Elite Hotel" by EMMYLOU HARRIS (2004 Warner Brothers 'Expanded & Remastered' Edition CD) - A Review by Mark Barry...





"...Wheels To Take Ourselves Away..."

Like Bonnie Raitt, Carly Simon and Linda Ronstadt - the silken-voiced Emmylou Harris has always been a class act.

Her third album "Elite Hotel" from late December 1975 (January 1976 in the UK) started a home run of platters in the Seventies than include much-loved and rightly revered gems like 1977's "Luxury Liner" and 1978's "Quarter Moon In A Ten Cent Town" - and along with her spiritual and musical partner Gram Parsons – their mission was to bring Country Music, Country Rock and Americana to the masses. And we've been listening ever since...

Her second album - the equally lovely "Pieces Of the Sky" from August 1975 had managed a No. 45 chart placing in the States - but it was "Elite Hotel" at the very end of the year (29 December 1975) that firmly lodged the Alabama gal in our hearts. Three US 7" singles from March to September 1976 saw the Reprise Records album sell steadily and eventually climb further than its predecessor to No. 25 on the Pop charts and made her first dent in the UK at an even higher No. 17 position. "Elite Hotel" also became her first No. 1 Country album.

Extended and Remastered by the original 1975 Producer BRIAN AHERN and featuring members of The Eagles, Little Feat, James Burton and Herb Pedersen to name but a few of the amazing musician ensemble - this beautiful-sounding 2004 Warner Brothers CD reissue of "Elite Hotel" only pounds home the goodies - 'Ooh Las Vegas' indeed. Here are the sweet dreams...

US released February 2004 (March 2004 in the UK) - "Elite Hotel" by EMMYLOU HARRIS on Warner Brothers/Reprise/Rhino 8122-78109-2 (Barcode 081227810924) is an 'Expanded And Remastered' Edition CD with Two Bonus Tracks and plays out as follows (48:17 minutes):

1. Amarillo
2. Together Again
3. Feelin' Single - Seein' Double
4. Sin City
5. One Of These Days
6. Till I Gain Control Again
7. Here, There And Everywhere [Side 2]
8. Ooh Las Vegas (Live)
9. Sweet Dreams (Live)
10. Jambalaya (Live)
11. Satan's Jewel Crown
12. Wheels [with Jonathan Edwards]
Tracks 1 to 12 are her 3rd studio album "Elite Hotel" - released December 1975 in the USA on Reprise MS 2236 and January 1976 in the UK on Reprise K 54060. Produced and Arranged by BRIAN AHERN - it peaked at No. 25 on the US Pop charts and No. 17 on the UK LP charts. It also became her first No. 1 album on the American Country charts.

BONUS TRACKS:
13. You're Running Wild – Duet with RODNEY CROWELL
14. Cajun Born – Duet with JO-EL SONNIER

The beautifully presented 20-page booklet offers all a fan could want – great colour photos from the period – full track-by-track credits – lyrics - and hugely detailed new liner notes from HOLLY GEORGE-WARREN. But the big news is a new CD Remaster handled by DOUG BEAL and the album’s original Producer BRIAN AHERN. What a result – warm and exquisite – all the instruments sailing into your living room accompanied by that honey-voice. A gorgeous job done by all...

With Linda Ronstadt on Backing Vocals, the legendary James Burton on Guitar and Banjo player Herb Pedersen at the helm - the album kicks off in 'yee haw' Country style with "Amarillo" - a co-write for Emmylou with that prolific Texan Rodney Crowell. Emmylou warns that she lost her man to a jukebox and a pinball machine outside of that man-stealin' town. It's followed by one of the albums true masterpieces - a gorgeous and aching cover of Buck Owens "Together Again" - a 'key to my heart' weepy that tells us her tears have finally stopped flowing because they're...together again. Special mention also has to go to Glen Hardin who played the Piano on the song but also arranged the beautiful strings that underpin the amazing melody. Reprise saw the song's magic and radio potential so they popped out Reprise RPS 1346 in February 1976 with her equally sweet cover of the Beatles Revolver masterpiece on the flipside "Here, There And Everywhere". The American 45 reached 65 on the Pop charts but stormed the Country charts to reach the top spot of No. 1.

Wayne Kemp stumped up the dancehall "Feelin' Single – Seein' Double" - but that’s roundly trumped by another killer ballad - "Sin City" penned by Gram Parsons and Chris Hillman. With both John Starling and Herb Pedersen providing superlative three-way vocals with Emmylou – once again Glen Hardin plays Piano while Bernie Leadon of The Eagles and Producer Brian Ahern strum the Acoustic Guitars. It’s a fabulous melody and one that lingers long after things have moved on to the deceptive "One Of These Days" penned by Earl Montgomery. Byron Berline plays mandolin on the song and Reprise USA used its gentle sway as the A-side to their 2nd single from the album when they paired it with the beautiful Rodney Crowell ballad "Till I Gain Control Again" on Reprise RPS 1353 in May 1976. Personally I much prefer Crowell’s B-side "Till I Gain Control Again" which features Bill Payne of Little Feat on Piano and a slew of quality backing vocals from Linda Ronstadt, Jonathan Edwards, Dianne Brooks and Fayssoux Starling. Its haunting beauty was used again when it was paired as another B-side in January 1980 on Warner Brothers WBS-49164 to "Blue Kentucky Girl" from the 1979 album of the same name. Still we shouldn’t downplay the achievement of the A-side "One Of These Days" which made an impressive No. 3 on the Country singles charts.

Side 2 opens with that McCartney nugget "Here, There And Everywhere" – less famous than "Yesterday" but just as precious. Amos Garret plays Guitar and Bill Payne adds his expert keyboard skills – but the song is actually made by that Harris vocal and an echoed Harmonica courtesy of Mickey Raphael. It seems odd that Rhino missed the opportunity of putting the 3:05 minute US 7” single edit of "Sweet Dreams" on here as a Bonus Track – but we do get the 4:08 minute album version – the Don Gibson cover recorded live in front of an ecstatic crowd at The Roxy Theatre in Hollywood in June 1975. The edited live single of "Sweat Dreams" released September 1976 on Reprise RPS 1371 with "Amarillo" on the flipside gave Emmylou yet another Country No. 1 – and rightly so – it’s a truly touching version.

I normally can’t stand the hick "Jambalaya" – but Hank Williams is safe with Emmylou - and a song with a title as bizarre as "Satan's Jewel Crown" is the same – another '...His love set me free...' peaceful battle made by understated Dobro from Mike Aulderidge. This perfect Country Rock album ends with two of her main men inspiring – the Chris Hillman and Gram Parsons penned take-me-away "Wheels" with Jonathan Edwards on duet vocals (lyrics from it title this review). The two Bonus Tracks offer up beauty and a hoedown – "You're Running Wild" is a lone Acoustic Guitar duet with Rodney Crowell on a Ray Edenton and Don Winters song. It’s shockingly lovely – while "Cajun Moon" is a Bayou knees-up with Accordion player Jo-El Sonnier.

The final line of the Holly George-Warren liner notes describe the "Elite Hotel" album as 'exquisite' - nailed it good lady...

Friday 19 August 2016

"Tres Hombres" by ZZ TOP (2006 Warner Brothers 'Remastered And Expanded' Edition CD - Bob Ludwig Remaster Of The Original Tapes) - A Review by Mark Barry...





"...Got A Lot Of Nice Girls...Ah!" 

Like most I picked up on our Texas Blues Boogie heroes when they walloped our jaded Prog Rock ears with 'riff that mother' album number three - the fab and groovy "Tres Hombres". It was an improvement on 1970's "First Album" which in turn was bettered by "Rio Grande Mud" from 1972.

But armed with the stunning riffage of "La Grange" (surely a shoe-in for the Top Ten Best Rock 7" single ever made) - everyone finally sat up and took notice for "Tres Hombres". It was their first album to chart in the USA - going Top Ten to No. 8 in August 1973 - ensuring their first of many Gold Disc awards - and the first platter most everyone else in the world took interest in. Like most - I've been a devotee ever since...

Yet it seems strange (even now) that excepting 1975's "Fandango!" and 1983's blockbuster "Eliminator" albums - much of their catalogue remains outside the realms of 'Expanded' or 'Deluxe Editions' on CD. The best we fans have had so far (in terms of Remaster value) being June 2013's very cool 10CD Box Set "The Complete Studio Albums 1970 to 1990" which I have enthusiastically entitled "YAR!" in my gushing appraisal (see separate in-depth review).

Time for more sombrero shuffles from one of the best three-piece Rock bands on the planet - ZZ TOP. Here are the beer drinkers and Hell raisers (and that's just Side 1)...

UK and USA released February 2006 - "Tres Hombres" by ZZ TOP on Warner Brothers 8122-78966-2 (Barcode 081227896621) is an 'Expanded and Remastered Edition' CD with Three Previously Unreleased Live Bonus Tracks that plays out as follows (46:13 minutes)

1. Waitin' For The Bus
2. Jesus Just Left Chicago
3. Beer Drinkers & Hell Raisers
4. Master Of Sparks
5. Hot, Blue & Righteous
6. Move Me On Down The Line [Side 2]
7. Precious And Grace
8. La Grange
9. Shiek
10. Have You Heard?
Tracks 1 to 10 are their 3rd studio album "Tres Hombres" - released August 1973 in the USA on London XPS 631 and November 1973 in the UK on London SHU 8459 (reissued November 1983 in the UK on Warner Brothers K 56603). Produced by BILL HAM - it peaked at No. 8 on the US LP charts (didn't chart in the UK).

BONUS TRACKS:
11. Waitin' For The Bus (Live)
12. Jesus Just Left Chicago (Live)
13. La Grange (Live)
Tracks 11 to 13 are PREVIOUSLY UNRELEASED live tracks recorded at the 'Capitol Theatre' in the USA (no dates provided)

ZZ TOP is:
BILLY GIBBONS - Guitars
DUSTY HILL - Bass
RUBE BEARD - Drums

The 12-page booklet is a pleasingly in-depth affair featuring new liner notes from uber-fan BOB MERLIS who can apparently still be heard shouting for "Precious And Grace" in the audience of his 126th ZZ Top concert. The 'food spread' photo that adorned the inner gatefold has pride of place on the inner two pages complimented by two photos of the 'hatted' trio. Merlis puts forward very funny and enlightening details on the creation of songs like "Master Of Sparks" (a homemade toilet with an aeroplane seat on the back of a truck with Billy Gibbons inside) and "Precious And Gone" (the names of two not so angelic prison ladies they picked up hitchhiking out on Route nowheresville).

But the big news is a new BOB LUDWIG Remaster which was done using original tapes at Gateway Mastering in Portland - and what an improvement the original mix is over that disastrous remixed 'Six Pack' crap from 1987. Originally recorded at Ardent Studios in Memphis to get a meatier sound than the two preceding albums - that original production value now comes roaring back in underrated album tracks like "Shiek" and the brilliant slide work of "Precious And Grace". There's a fantastic Southern Rock boogie to "Have You Heard?" too - the guitars and voices perfectly placed centre-stage in your speakers. A great job done...

It opens with a one-two sucker punch - the pairing of a rockin' "Waitin' For The Bus" which segues into the fabulous Blues of "Jesus Just Left Chicago" where our Saviour is 'bound for New Orleans and all points in between' - the remaster turning muddy water into wine. Blighty initially took "Beer Drinkers & Hell Raisers" out for a spin as 7" single in June 1974 on London HLU 10458 with "La Grange" on the flip-side. Someone realised that the B was a bona fide A and put out "La Grange" on London HLU 10475 as late as January 1975 with "Just Got Paid" from 1972's "Rio Grande Mud" as its flip-side but amazingly it made no impression in rock-mad England (the US 45 for "La Grange" made No. 41 on their singles charts). "Master Of Sparks" is for me one of the albums unsung heroes - sneaky and brilliant - it's lasted better than most. Side 1 ends with the Blues - the slightly hissy "Hot, Blue And Righteous" - a very cool ZZ Top tune.

Side 2 goes all Allman Brothers with "Move Me On Down The Line" - a poppy tune for ZZ Top. And I'm with Bob Merlis on "Precious And Grace" especially when Gibbons goes into that great slide work. What can you say about the amazing and fun "La Grange" - if it's good enough for Bruce Willis and Armageddon and his golf shots on an oilrig - then it's ok by me. The LP ends on what seems like two slight ZZ Top tracks - but on re-hearing the 'my temperature has risen again' of "Shiek" and the "Jesus Just Left Chicago" identikit chug of "Have You Heard?" - both reward with guitar solo goodies in their midst...

Even the Bonus Tracks have a kick-ass sound to them - obviously they are the opening three songs to a well-recorded 'Capitol Theatre' gig as an excited announcer shouts "ZZ Top!” And don't you just love the way "Bus" slithers into that "Jesus Just Left Chicago" Blues chug (bound for New Orleans). The crowd are delirious by the time we get to a very raucous 'take this town' version of "La Grange" where Dusty lets rip on those pings...

"...You could not be lost...yeah yeah yeah..." - they sing on the gospel-tinged blues of the album finisher "Have You Heard?"

ZZ Top folks. I urge you to buy and hear this superb CD Remaster of "Tres Hombres" - thereafter don a tall hat and shout 'yeah baby' at your Guardian reading neighbours on a regular but suspiciously unhinged basis. YAR!

"Greenhouse" by LEO KOTTKE (1990, 1997 and 2008 Beat Goes On CD Remaster) - A Review by Mark Barry...





"...A Tiny Island Floating In The Sea..."

I always find it astonishing that Leo Kottke's fifth album "Greenhouse" from the spring of 1972 is not lauded from on high nor held in as much reverence as its predecessors by critics - because the ace guitarist dares to 'sing' on some tracks.

Frankly I find all-instrumental LPs hard work at the best of times - but with 1972's "Greenhouse" - the virtuoso picker waxes lyrical on four of the tunes while the other seven are 6 and 12-string acoustic instrumentals. And for my money I can't get enough of his deep toned voice. I've got the magical live album follow up "My Feet Are Smiling" from 1973 and "Mudlark" that preceded them in 1971 - but its the gorgeous studio set "Greenhouse" that I return to most - an 'overlooked album' masterpiece if ever there was one. 

OK - titles like "From The Cradle To The Grave" and "You Don't Have To Need Me" may not indicate a '...I'd like to buy the world a Coke and sing in perfect harmony...' cheery-man's persona - but there is undeniable beauty in these Kottke songs. And this is before we even get to how ridiculously good his fingerpicking is - his slide work up and down those acoustic necks that would make Bert Jansch and Jimmy Page nervous. Throw in the warmth of his melodies - even when he's doing someone else's song (his beautiful cover of Paul Siebel's "Louise") – the overall impact is one of 'musical peace' if that makes any sense. Here are the 'don't throw stones' details...

UK released October 1990 (reissued September 1997 and December 2008) - "Greenhouse" by LEO KOTTKE on Beat Goes On BGOCD 50 (Barcode 5017261200501) is a straightforward CD Remaster of the 11-track 1972 LP and plays out as follows (36:39 minutes)

1. Bean Time
2. Tiny Island
3. The Song Of The Swamp
4. In Christ There Is No East Or West
5. Last Steam Engine Train
6. From The Cradle To The Grave
7. Louise [Side 2]
8. The Spanish Entomologist
9. Owls
10. You Don't Have To Need Me
11. Lost John
Tracks 1 to 11 are his 5th studio album "Greenhouse" - released February 1972 in the USA on Capitol ST-11000 and delayed to March 1973 in the UK on Capitol E-ST 11000. Produced by DENNY BRUCE - the LP peaked at No. 127 on the US LP charts (didn't chart UK).

"Tiny Island", "Louise", "From The Cradle To The Grave" and "You Don't Have To Need Me" are the four vocal songs on the LP sung by Kottke - the other seven are instrumentals. "Louise" is a Paul Siebel cover, "In Christ There Is No East Or West" and "Last Steam Engine Train" are John Fahey covers and "Tiny Island" is by Al Gaylor. "From The Cradle To The Grave" has music by Kottke and lyrics by Ron Nagle - "Lost John" is a Traditional adapted from a version by Doc Watson - all others are Kottke originals. Leo plays all 6 and 12-string Acoustic guitars on every track except "Lost John" where he's joined by Steve Gammell on second guitar.

England's Beat Goes On Records have had a 'thing' for LEO KOTTKE from the beginning of their near 30-year reissue service (see list below). CD number 50 in their back catalogue first appeared in October 1990 - was reissued September 1997 with the 1990 CD inside even though it has a 1997 copyright date on the artwork (new JOHN TOBLER liner notes in 1997) - and remains reissued on their catalogue since December 2008 (with the 1990 CD inside). In short this CD transfer and remaster has been on their books 26 years - hell I've a son that's almost that old. But why fix what isn't broken. The audio on this CD transfer is gorgeous to my ears - beautifully crisp and clean. Sound engineer SHORTY MARTINSON who did the original Acoustic recordings at Sound Eighty Studios in Minneapolis caught his performances so sweetly. Except to say that BGO licensed this from 'EMI Records Ltd' at the time - it doesn't say who remastered this or where - but I'm not fussing because the Audio is wonderful.

The 8-page inlay with John Tobler liner notes give a potted history of his 20 or so albums to the late Nineties - his enigma even to his fans - his staggering playing skills – and despite the wildly un-commercial nature of his music – how he charted 9 albums in the USA over the years. But you do wish he'd have elaborated more on the actual "Greenhouse" album that gets a bunch of sentences that are over too soon.

Born in Athens, Georgia in September 1945 (REM's spiritual home) - Kottke once cheerfully describing his singing voice as "...geese farts on a muggy day..." I think he's playing down his talents way too much - a cross between the nasal whine of Michael Chapman but the warmth of say Don McLean - I find his rich deep voice incredibly welcoming. That's what makes "Greenhouse" such a great LP. It opens with "Bean Time" - written for his grandfather who got him his first job doing the dread 'bean picking' out in the hot fields - "Bean Time" is a typical speedy instrumental where he attacks those frets like a wasp homing in its prey. Portland's Al Gaylor wrote the lovely "Tiny Island" and is the first of four vocals on the album (lyrics from it title this review). It's just Kottke and Guitar - a simple song filled with deep longing for peace - and it fits in with that image of him on the back cover of the LP - his head just visible - bobbing - peeping up just above the foliage in the greenhouse.

We then get his staggering combination of melody and playing technique in "The Song Of The Swamp" - a slide acoustic instrumental that wows even now on several fronts (beautiful transfer on CD too) that he describes in his original LP liner notes as 'a slithery tune concerning the pitfalls of real estate'. Two John Fahey covers follow - the instrumental spiritual "In Christ There Is No East Or West" and the 'catch that mother' pace of "Last Steam Engine Train" where you can see that loco puffing down the line like a giddy child. "...Running for my life at every moment...never having time to catch my breath..." he sings on Ron Nagle's cheery life assessment "From The Cradle To The Grave".

He wowed the live audience with his playing on the "My Feet Are Smiling" album in 1973 - but of the two tracks he featured from "Greenhouse" (the other was the instrumental "Bean Time") - it was Paul Siebel's lament for "Louise" - a lady of the night who died in a hotel room - that moved the audience. And it's easy to hear why - the beauty of the song having been picked up since by Bonnie Raitt, Linda Ronstadt and Willy DeVille. "The Spanish Entomologist" is a combo of his favourite childhood melodies done on rapid slide (you'll hear 'Jambalaya' and 'Tumbling Tumbleweeds' in their amongst others). But that leads into my crave - the five minutes of "Owls" - a simply beautiful acoustic instrumental that speeds then slows then speeds again - his playing sublime - a sort of bluegrass ballad that oozes beauty - I love it to bits. "...I can't take all your love...while you take none of mine..." he pines on the downbeat "You Don't Have To Need Me" - but things cheer up on the unbelievable slide 12-string madness that is "Lost John". Apparently Kottke based his interpretation on Doc Watson's harmonica solo in his Country version of the Traditional.

Unique - majestical – at peace with itself. 

"Greenhouse" is the bomb and damn the torpedoes but keep on singing Leo...

Beat Goes On CD Remasters for LEO KOTTKE

1. Mudlark (1971) - Beat Goes On BGOCD 101
2. Greenhouse (1972) - Beat Goes On BGOCD 50
3. My Feet Are Smiling (Live, 1973) - Beat Goes On BGOCD 134
4. Ice Water (1974) - Beat Goes On BGOCD 146
5. Dreams And All That Stuff (1974) - Beat Goes On BGOCD 132
6. Chewing Pine (1975) - Beat Goes On BGOCD 148
7. Leo Kottke (1977) - Beat Goes On BGOCD 257
8. Burnt Lips (1978) - Beat Goes On BGOCD 259
9. Balance (1979) - Beat Goes On BGOCD 263
10. Live In Europe (1980) - Beat Goes On BGOCD 265
11. Guitar Music (1981) - Beat Goes On BGOCD 261
12. Time Step (1983) - Beat Goes On BGOCD 255
13. Leo Kottke 1971-1976 (1977 compilation) - Beat Goes On BGOCD 362

INDEX - Entries and Artist Posts in Alphabetical Order