"A Third Of A Lifetime" by THREE MAN ARMY [feat Adrian and Paul Gurvitz and Buddy Miles] (2016 Esoteric Recordings 'Expanded CD' Remaster) - A Review by Mark Barry...

"...Take Your Fun While You Can..." 

Sandwiched between late 60ts GUN on CBS Records, the early 70ts solo years of PARRISH and GURVITZ on Regal Zonophone and finally 1974's BAKER GURVITZ ARMY with GINGER BAKER on Vertigo is the completely but unfairly overlooked interim group THREE MAN ARMY featuring the musical link between them all – the dynamic brother-duo of ADRIAN and PAUL CURTIS (or GURVITZ as they became known).

Three Man Army's rather good little debut album "A Third Of A Lifetime" from 1971 on B&C's short-lived offshoot label Pegasus Records has built up a serious rep amongst collectors – so its 2016 CD reissue in real style by England's Esoteric Recordings (part of Cherry Red) is good news for fans and lovers of Classic Seventies Rock. Let's get to those gun-totting Wah Wah Pedals and Moody Mellotrons...

UK released Friday 29 July 2016 (August 2016 in the USA) - "A Third Of A Lifetime" by THREE MAN ARMY on Esoteric Recordings ECLEC 2558 (Barcode 5013929465848) is an 'Expanded Edition' CD Remaster of their 1971 debut LP with Two Bonus Tracks and plays out as follows (59:41 minutes):

1. Butter Queen

2. Daze

3. Another Day

4. A Third Of A Lifetime

5. Nice One

6. Three Man Army [Side 2]

7. Agent Man

8. See What I Took

9. Midnight

10. Together

Tracks 1 to 10 are their debut LP "A Third Of A Lifetime" - released October 1971 in the UK on Pegasus Records PEG 3. Produced by LOU REIZNER - It didn't chart.

BONUS TRACKS:

11. What's Your Name

12. Travellin'

Tracks 11 and 12 are the non-album A&B-sides of a November 1971 UK 7" single on Pegasus Records PGS 1

THREE MAN ARMY was:

ADRIAN CURTIS (GURVITZ) - Guitar, Organ, Mellotron and Vocals

PAUL CURTIS (GURVITZ) - Bass and Vocals

MIKE KELLY - Drums

BUDDY MILES - Drums on "Butter Queen", Bass on "Nice One" and Organ on "Midnight"

Arranged and compiled by MARK and VICKY POWELL - the 16-page booklet repro's the original gatefold artwork of the rare Pegasus vinyl LP across its front and rear (the three black and white photos of the boys playing live that were on the inner gatefold sleeve are also reproduced in the booklet) and features new liner notes of the band's history by noted writer MALCOLM DOME. There's discussion on the brothers beginnings as The Knack which morphed into Gun which went into the self-titled solo Parrish-Gurvitz album in 1971 (produced by George Martin) - through the Three Man Army years and eventually ending up to at The Baker Gurvitz Army where they shared much mayhem and music with Cream's legendary drummer - Ginger Baker. But the big news is a superlative new 24-bit CD Remaster by BEN WISEMAN at Broadlake Studios in Hertfordshire - very clear - full of power and presence without ever feeling over amped for the sake of it...

The 'gun and guitar' artwork of their first platter (care of Terry Pastor) clearly gave a nod back to those early CBS days of GUN – promising mucho Guitar pyrotechnics amidst the occasional Prog-like tune. And that's pretty much what you get here - the new band also benefitting greatly from BUDDY MILES guesting on Drums, Bass and Organ. It opens with a speaker-rattling "Butter Queen" where Curtis seems determined to show how fast he can play guitar whilst Mike Kelly tries to keep up. "Daze" calms things down for a few moments before going into Man-like guitar soloing while "Another Day" is excellent Seventies Rock - funkier than most but still keeping it melodic. The Instrumental Acoustic title track has gorgeous Audio (such a lovely tune) and sees both strings and Mellotron come floating in like they're auditioning for a Procol Harum 45 or the woodwind section of ELO. I also dig "Agent Man" - five minutes of Funky Acoustic Rock where Adrian's prowess isn’t without doubt - but his quest to play in a group is hampered by the so-called professionals he needs to get into a decent band...

My introduction to this album came via a search for Funky Soulful Rock Instrumentals and the fabulous slink of "Midnight" jumped off the album - a kind of Brian Auger meets Jeff Beck guitar work out with sexy Organ passages from Buddy Miles (normally plays the drums and was with Hendrix). The song "Midnight” is a winner but even that cool wonder is trumped by "Together" - a very melodic Prog finale. The six and half-minute tune eases in at first with gentle Acoustic Guitars and a floating Mellotron note - Adrian singing about longing to live on a ship with his lady to escape it all. Way more mellow Moody Blues than hard-hitting Cream - it's the guitar flourishes that kick in at about 3:35 (after a silent Genesis type passage) that impresses hugely - where I'm reminded of Barclay James Harvest in their early Harvest Records days.

Even now THREE MAN ARMY are an obscurity – they sold jack zip on release - their albums have always been hard to find - and of late increasingly pricey. It isn’t undiluted genius – but this Esoteric Recordings CD Reissue and Remaster is typical of their commitment to getting rarities out there is quality form. Both fans and the curious should dive in…

"L.A. Turnaround" by BERT JANSCH (2009 EMI/Charisma 'Expanded & Enhanced' CD Remaster) - A Review by Mark Barry...

"...Let The Sunshine In..."

After eight years with Transatlantic (1965 to 1971) and a brief flit with Reprise Records for "Moonshine" in 1972 - Pentangle's gifted Guitar Player and perennial folky BERT JANSCH recorded three albums with Tony Stratton Smith's Charisma Records - all beloved, revered and absent from CD for decades - 1974's "L.A. Turnaround", 1975's "Santa Barbara Honeymoon" and 1977's "A Rare Conundrum".

All three of these rare and sought-after UK vinyl originals have been given a digital dust-up by Charisma (now part of EMI) and reissued/remastered with Bonus Tracks and Enhanced CD Video. And what a tasty job they've done too. In fact I'd argue you need the lot (never enough Bert in our house) - but if I was to zero in on just one for the house-is-burning-down arm pile - then you'd have to say that this melodic peach should be singled out. Here's one to let the sunshine in...

UK released June 2009 - "L.A. Turnaround" by BERT JANSCH on EMI/Charisma CASCDX 1090 (Barcode 5099996486306) is an 'Extended & Enhanced' CD Remaster with Four Bonus Tracks and an 'ECD Section' (three of the Bonus and the 13:12 minute movie are Previously Unreleased). It plays out as follows (49:28 minutes):

1. Fresh As A Sweet Sunday Morning

2. Chambertin

3. One For Jo

4. Travelling Man

5. Open Up The Watergate (Let The Sunshine In)

6. Stone Monkey

7. Of Love And Lullaby [Side 2]

8. Needle Of Death

9. Lady Nothing

10. There Comes A Time

11. Cluck Old Hen

12. The Blacksmith

Tracks 1 to 12 are his 9th studio album "L.A. Turnaround" - released September 1974 in the UK on Charisma CAS 1090 (no US release - didn't chart in the UK).

BONUS TRACKS (see Notes for 13, 14 and 15):

13. Open Up The Watergate (Alternate Version)

14. One For Jo (Alternate Version)

15. The Blacksmith (Alternate Version)

16. In The Bleak Midwinter - non-album A-side to a December 1974 UK 7" single on Charisma CB 240 (the album cut "One For Jo" was the B-side). Produced by Ralph McTell

ECD SECTION:

L.A. Turnaround...The Movie (13:12 minutes)

Contains: There Comes A Time, Fresh As A Sweet Sunday Morning, Travelling Man and One For Jo.

Filmed during the making of "L.A. Turnaround" at Tony Stratton-Smith's home, Luxford House in Sussex.

Features Bert Jansch, Mike Nesmith, Red Rhodes and others

NOTES: Tracks 13, 14, 15 and the ECD Section are PREVIOUSLY UNRELEASED

The 8-page booklet shows the lyric insert that came with original British LPs (centre pages) and is complimented by superb and informational liner notes from noted music writer and lover - MICK HOUGHTON. There's even a footnote from the man who signed him and ran Charisma - Tony Stratton Smith. There's a 'mad hatter' Famous Charisma Records repro label on the CD, a shot of Jansch and acoustic guitar during recording beneath the see-through CD tray and stills from the 'boys in the country' film that's part of the ECD Section. But the big news is a gorgeous CD Remaster by BERT JANSCH and PETER MEW at Abbey Road Studios - the whole album (and its previously unreleased outtakes) sounding sublime...

Very Folk orientated with a dash of Acoustic Rock thrown in here and there – surrounded by Yes, ELP, Genesis, Led Zeppelin and Roxy Music - "L.A. Turnaround" was decidedly downbeat and maybe even 'too simple' for late 1974. And yet it’s beautiful because of that. Produced by Pentangle's John Renbourn in Paris in 1972 - the four-minute "Chambertin" with just Jansch on Acoustic Guitar is a good example – the kind of swirling, rolling, finger-picking work-out that gives Instrumentals a good name (beautiful audio on this highlight). Equally tasty is his cover of John Renbourn's "Lady Nothing" – another pretty melody that feels almost spiritual in its 'just the music' warmth. As some of have already mentioned the 'bird chirping' that opens "Fresh As A Sweet Sunday Morning" is AWOL - and without explanation either (couldn't get copyright on nature). But in truth - the song is so lovely, so soothing and bathed in beautiful Pedal Steel Guitar work from Red Rhodes – that bluntly I’m not that bothered.

"One For Jo" feels like an ancient English folk song - but it's a modern-day tale of dreamer that Jo clearly loves despite Bert's worries that he's all mouth and even a bit 'slow'. Politics rears its ugly head in the decidedly upbeat "Open Up The Watergate (Let The Sunshine In)". With Jesse Ed Davies playing  superb slide guitar - Klaus Voorman on Bass and Danny Lane on Drums - it sounds more like Ronnie Lane's Slim Chance than the Bert Jansch we know (it's one of my faves on the album). Mike Nesmith of The Monkees plays Guitar on "Stone Monkey" while Red Rhodes puts in Pedal Steel - it's the kind of song that took me a while to like.

No such problem with Side 2's opener - the beautiful "Of Love And Lullaby" - a gorgeous lilting folk ballad you can't help thinking that both Robert Plant and Jimmy Page would have given up a gonad to pen. Drug abuses seeps off the dark "Needle Of Death" - while the ghosts of a 1970 Matthews Southern Comfort permeate the whole of "There Comes A Time" - again aided and abetted by Mike Nesmith and especially Red Rhodes on the Pedal Steel. Kansas man Byron Berline brings his ex Dillards fiddle and mandolin to "Cluck Old Hen" - a song that feels like a Fairport Convention/Nitty Gritty Dirt Band hybrid. Doc Watson's "The Blacksmith" ends the LP - a wickedly upbeat song dominated by Mike Cohen's beautifully complimentary 'electric' keyboards (Cohen wrote "Mary, Mary" for The Monkees and was part of Mike Nesmith's band).

After a nice album - I wasn't expecting much from the Bonus Tracks - but I agree with Mike Houghton's assessment that the Pedal Steel variant of "Open Up The Watergate" and Mike Cohen's use of Acoustic Piano rather than electric is just as fab as the released version - if not better. Crisply produced by Ralph McTell – Jansch’s 2:22 minute cover of the seasonal Traditional "In The Bleak Midwinter" keeps a beautiful melody simple – bolstering it up towards the end with male and female Christmas voices like a soft-spoken Colliery Choir. Sweet as...

PS: see also reviews for CD Remasters of "Rosemary Lane" (1971) and "Avocet" (1978)

"The Clarke, Hicks & Nash Years: The Complete Hollies April 1963 to October 1968" by THE HOLLIES - A Review Of The 2011 EMI 6CD Collection Of Remasters...

“…Ego Is Dead…”

Released May 2011 in the UK and USA - "The Clarke, Hicks And Nash Years: The Complete Hollies April 1963 to October 1968" by THE HOLLIES is a jam-packed 6CD Set (in a double-sized jewel case) on EMI 5099909624221.

Across 158 tracks are the A&B-sides of 19 British 7" singles, 3 songs exclusive to two British EPs (as well as the other 18 tracks from all 7 British EPs), 6 Foreign Language versions (5 of which are Previously Unreleased), 3 English language sides on Italian and German singles, 20 compilation exclusives, 7 full British albums and an 8-track Previously Unreleased Live Concert from 1968 in Stereo.

The CDS are sequenced in recording-date order - with the album tracks often spread across different discs. So in order to give an easier-to-read picture - I've posted a HOLLIES UK Singles, EPs and LPs British Discography in the 'comment' section attached to this review. It references track-by-track where those 45's and LPs are on this massive 6CD set and the following individual disc breakdowns give you the straggler songs  'outside' of that Discography...

Disc 1, 28 tracks, 64:34 minutes:

Tracks 6 and 10 are "Zip A Dee Do Dah" and "Poison Ivy" - released 1985 in the UK on "The Hollies" LP on EMI Music For Pleasure 41 5727 1

Track 7 is "I Understand" - released 1993 in the USA on the 3CD Box Set "30th Anniversary Collection 1963-1993"

Tracks 25 and 26 are "When I'm Not There" and "What Kind Of Love" - released 1964 on "The Hollies" UK 4-track EP on Parlophone GEP 8909

Disc 2, 26 tracks, 64:29 minutes:

Track 12 is "We're Through (Alternative Arrangement)" - released 1997 on "The Hollies At Abbey Road 1963-1966" (previously unreleased at the time)

Track 17 is "She Said Yeah" - released 2003 on the 6CD Box Set "The Long Road Home"

Track 18 is "Yes I Will (Alternate Version)" - released 1964 in the UK on "Hollies' Greatest Hits" LP on Parlophone PCS 7057

Track 26 is "Honey And Wine" - released 1965 in the UK on the "I'm Alive" 4-track EP on Parlophone GEP 8942

Disc 3, 28 tracks, 64:24 minutes:

Tracks 1 to 3 are "Listen Here To Me", "So Lonely" and "Bring Back Your Love To Me" - released 2003 on the 6CD Box Set "The Long Road Home"

Tracks 15, 16 and 18 are "She Gives Me Everything I Want", "I Can't Get Nowhere With You" and "You In My Arms" - released 1993 in the USA on the 3CD Box Set "30th Anniversary Collection 1963-1993"

Track 27 is "Look Through Any Window (French Lyric Version)" - first released on the 1988 CD "Rarities"

Tracks 25, 27 and 28 are "Stewball (French Lyric Version)", "You Know He Did (French Lyric Version)" and "We're Through (French Lyric Version)" -all three are Previously Unreleased

Disc 4, 27 tracks, 69:57 minutes:

Track 3 is "A Taste Of Honey" - released 1966 in the USA on the Hollies LP "Beat Group!" on Imperial LP 12312

Tracks 26 and 27 are "Non Prego Per Me" and "Devi Avere Fiducia In Me" - the A&B sides of an Italian 7" single - Previously Unreleased Stereo versions

Disc 5, 24 tracks, 64:11 minutes:

Tracks 3 and 4 are "We're Alive" and "Kill Me Quick" - Italian A&B-sides of a 1967 single; B-side is Stereo version with Backing Vocals

Track 7 is "Schoolgirl" - released 1997 on "The Hollies At Abbey Road 1966-1970" (previously unreleased at the time)

Disc 6, 25 tracks, 73:15 minutes:

Track 8 is "Wings" - released 1969 on the UK on the Various Artists album "No One's Gonna Change Our World" (on Behalf of the World Wildlife Fund) on Regal Starline SRS 5013

Tracks 10 and 11 are "Tomorrow When It Comes" and "Relax" - first released on the 1988 CD "Rarities"

Track 14 is "Man With No Expression (Horses Through A Rainstorm)" - released 1997 on "The Hollies At Abbey Road 1966-1970" (previously unreleased at the time)

Track 15 is "Blowin' In The Wind" - A B-side In Germany and Sweden to ???

Track 16 is "A Taste Of Honey (1968 Version)" - released 2003 on the 6CD Box Set "The Long Road Home"

Tracks 18 to 25 are "Stop! Stop! Stop!", "Look Through Any Window", "The Times They Are A-Changin'", "On A Carousel", "King Midas In Reverse", "Butterfly", "Jennifer Eccles", and "Carrie Anne" - all recorded LIVE AT LEWISHAM ODEON, 24 May 1968 and are Previously Unreleased

Fans will know that the digital remasters are mostly from 1999 and 2003 and were by done by expert tape man PETER MEW at Abbey Road - the sound quality is uniformly great (as I find it is on anything he remasters). The 24-page booklet features an introduction by MICK HOUGHTON, A Q&A with GRAHAM NASH, a UK Discography for the period with the seven EP and LP sleeves pictured in colour and then a song-by-song breakdown (itself broken up with collages of publicity/in-the-studio photos. It's well done (the cover photo taken at Niagara Falls in December 1967 sees the boys in period Gladrags) and for such a huge haul of music is priced cheaply too.

I love the album foursome "Would You Believe?", "For Certain Because", "Evolution" and "Butterfly" that really saw Allan Clarke, Tony Hicks and Graham Nash take off as writers - superb album nuggets like the pre CSN vibe of "Stop Right There", the Beatlesque "You Need Love", the Ogdens Small Faces whimsy of "Dear Eloise" and the Northern Britain social commentary of "Charlie And Fred". And the brilliant "Elevated Observations?" from October 1967's "Evolution" album gave that "Sgt. Peppers" mob a run for their Liverpudlian money (lyrics above). The live show is also far better than I thought it would be - clearly showing how accomplished they were as a band - nailing down difficult stuff like "King Midas In Reverse" with ease.

Further glory would follow for The Hollies on both the Parlophone and Polydor labels with Alan Clarke taking the song-writing ascendancy - while Graham Nash went on to conquer the West Coast of America and then the entire world with David Crosby, Stephen Stills and Neil Young.

"All that summer we enjoyed it..." - they sang on "Bus Stop". Great sound, top songs and quality presentation - there's so much to enjoy here...

UK HOLLIES DISCOGRAPHY referencing "The Clarke, Hicks & Nash Years"

Note: [8/1] = Track 8 on Disc 1, [3/4] = Track 3 on Disc 4 etc:

UK 7” SINGLES and EPs:

1. (Ain't That) Just Like Me [2/1] b/w Hey What's Wrong With Me [3/1]

May 1963, Parlophone R 5030

2. Searchin' [8/1] b/w Whole World Over [1/1]

August 1963, Parlophone R 5052

3. Stay [9/1] b/w Now's The Time [4/1]

November 1963, Parlophone R 5077

4. Just One Look [23/1] b/w Keep Off That Friend Of Mine [22/1]

February 1964, Parlophone R 5104

5. Here I Go Again [27/1] b/w Baby That's All [28/1]

May 1964, Parlophone R 5137

6. We're Through [13/2] b/w Come On Back [8/2]

September 1964, Parlophone R 5178

7. Yes I Will [22/2] b/w Nobody [20/2]

January 1965, Parlophone R 5232

8. I'm Alive [4/3] b/w You Know He Did [21/2]

May 1965, Parlophone R 5287

9. Look Through Any Window [5/3] b/w So Lonely [12/3]

August 1965, Parlophone R 5322

10. If I Needed Someone [20/3] b/w I've Got A Way Of My Own [17/3]

December 1965, Parlophone R 5392

11. I Can't Let Go [23/3] b/w Running Through The Night [21/3]

February 1966, Parlophone R 5409

12. Bus Stop [11/4] b/w Don't Run And Hide [10/4]

June 1966, Parlophone R 5469

13. After The Fox [9/4] b/w The Fox Trot

September 1966, United Artists UP 1152

(A-side Peter Sellers with The Hollies, B-side is by Burt Bacharach only)

14. Stop! Stop! Stop! [14/4] b/w It's You [18/4]

October 1966, Parlophone R 5508

15. On A Carousel [2/5] b/w All The World Is Love [23/4]

February 1967, Parlophone R 5562

16. Carrie Anne [15/5] b/w Signs That Will Never Change [16/5]

May 1967, Parlophone R 5602

17. King Midas In Reverse [17/5] b/w Everything Is Sunshine [19/5]

September 1967, Parlophone R 5637

18. Jennifer Eccles [9/6] b/w Open Up Your Eyes [7/6]

March 1968, Parlophone R 5680

19. Listen To Me [17/6] b/w Do The Best You Can [12/6]

September 1968, Parlophone R 5733

UK 4-TRACK EPs (Extended Plays):

1. "The Hollies", June 1964 on Parlophone GEP 8909

Side 1:

1. Rockin' Robin' [21/1]

2. What Kind Of Love [26/1]

Side 2:

1. Whatcha Gonna Do ‘Bout It [19/1]

2. When I'm Not There [26/1]

2."Just One Look", July 1964 on Parlophone GEP 8911

Side 1:

1. Just One Look [23/1]

2. Keep Off That Friend Of Mine [22/1]

Side 2:

1. Lucille [14/1]

2. Talking About You [12/1]

3. "Here I Go Again", October 1964 on Parlophone GEP 8915

Side 1:

1. You Better Move On [18/1]

2. Memphis [11/1]

Side 2:

1. Here I Go Again [27/1]

2. Baby That's All [28/1]

4. "We're Through", December 1964 on Parlophone GEP 8927

Side 1:

1. We're Through [13/2]

2. Come On Back [8/2]

Side 2:

1. What Kind Of Boy [11/2]

2. You'll Be Mine [3/2]

5. "In The Hollies Style", April 1965 on Parlophone GEP 8934

Side 1:

1. Too Much Monkey Business [6/2]

2. To You My Love [14/2]

Side 2:

1. Come On Home [5/2]

2. What Kind Of Boy [11/2]

6. "I'm Alive", September 1965 on Parlophone GEP 8942

Side 1:

1. I'm Alive [4/3]

2. You Know He Did [21/2]

Side 2:

1. Honey And Wine [26/2]

2. Mickey's Monkey [23/2]

7. "I Can't Let Go", June 1965 on Parlophone GEP 8951

Side 1:

1. I Can't Let Go [23/3]

2. Look Through Any Window [5/3]

Side 2.

1. I've Got A Way Of My Own [17/3]

2. So Lonely [2/3]

ALBUMS:

1. "Stay With The Hollies", January 1964 on Parlophone PMC 1220 (Mono)

Side 1:

1. I'm Talking About You [12/1]

2. Mr. Moonlight [17/1]

3. You Better Move On [18/1]

4. Lucille [14/1]

5. Baby Don't Cry [15/1]

6. Memphis [11/1]

7. Stay [9/1]

Side 2:

1. Rockin' Robin [21/1]

2. Watcha Gonna Do ‘Bout It [19/1]

3. Do You Love Me [16/1]

4. It's Only Make Believe [13/1]

5. What Kind Of Girl Are You [20/1]

6. Little Lover [5/1]

7. Candy Man [24/1]

2. "In The Hollies Style", November 1964 on Parlophone PMC 1235 (Mono)

Side 1:

1.         Nitty Gritty/Something's Gotta Hold On Me [15/2]

2.         Don't You Know [2/2]

3.         To You My Love [14/2]

4.         It's In Her Kiss [4/2]

5.         Time For Love [1/2]

6.         What Kind Of Boy [11/2]

Side 2:

1.         Too Much Money Business [6/2]

2.         I Thought Of You Last Night [7/2]

3.         Please Don't Feel Too Bad [10/2]

4.         Come On Home [5/2]

5.         You'll Be Mine [3/2]

6.         Set Me Free [9/2]

3.         "Hollies", September 1965 on Parlophone PMC 1261 (Mono-only)

Side 1:

1.         Very Last Day [25/2]

2.         You Must Believe Me [7/3]

3.         Put Yourself In My Place [16/2]

4.         Down The Line [9/3]

5.         That's My Desire [24/2]

6.         Too Many People [11/3]

Side 2:

1.         Lawdy Miss Clawdy [6/3]

2.         When I Come Home To You [19/2]

3.         Fortune Teller [10/3]

4.         So Lonely [2/3]

5.         I've Been Wrong [13/3]

6.         Mickey's Monkey [23/2]

4.         "Would You Believe?", June 1966 on Parlophone PMC 7008 (Mono)

Side 1:

1.         I Take What I Want [1/4]

2.         Hard Hard Year [2/4]

3.         That's How Strong My Love Is [4/4]

4.         Sweet Little Sixteen [7/4]

5.         Oriental Sadness [24/3]

6.         I Am A Rock [8/4]

Side 2:

1.         Take Your Time [5/4]

2.         Don't You Even Care (What's Gonna Happen To Me?) [22/3]

3.         Fifi The Flea [6/4]

4.         Stewball [14/3]

5.         I've Got A Way Of My Own [17/3]

6.         I Can't Let Go [23/3]

5.         "For Certain Because...", October 1966 on Parlophone PCS 7011 (Stereo)

Side 1:

1.         What's Wrong With The Way I Live [20/4]

2.         Pay You Back With Interest [16/4]

3.         Tell Me To My Face [15/4]

4.         Clown [17/4]

5.         Suspicious Look In Your Eyes [13/4]

6.         It's You [18/4]

Side 2:

1.         High Classed [22/4]

2.         Peculiar Situation [12/4]

3.         What Went Wrong [21/4]

4.         Crusader [19/4]

5.         Don't Even Thing About Changing [19/3]

6.         Stop Stop Stop [14/4]

6. "Evolution", June 1967 on Parlophone PCS 7022 (Stereo)

Side 1:

1.         Then The Heartaches Begin [9/5]

2.         Stop Right There [12/5]

3.         Water On The Brain [13/5]

4.         Lullaby To Tim [1/5]

5.         Have You Ever Loved Somebody [25/4]

6.         You Need Love [11/5]

Side 2:

1.         Rain On The Window [8/5]

2.         Heading For A Fall [14/5]

3.         Ye Olde Toffee Shoppe [10/5]

4.         When Your Light's Turned On [24/4]

5.         Leave Me [5/5]

6.         The Games We Play [6/5]

7. "Butterfly", October 1967 on Parlophone PCS 7039

Side 1:

1.         Dear Eloise [24/5]

2.         Away, Away, Away [3/6]

3.         The Maker [6/6]

4.         Pegasus [23/5]

5.         Would You Believe [2/6]

6.         Wish You A Wish [20/5]

Side 2:

1.         Postcard [21/5]

2.         Charlie And Fred [4/6]

3.         Try It [18/5]

4.         Elevated Observations? [1/6]

5.         Step Inside [22/5]

6.         Butterfly [5/6]