"Unpentangled: The Sixties Albums" by JOHN RENBOURN of Pentangle featuring Duet Albums with DORRIS HENDERSON and BERT JANSCH – Including "There You Go!" with Dorris Henderson (February 1966), "John Renbourn" (November 1965), "Bert And John" with Bert Jansch (September 1966), "Another Monday" (November 1966), "Watch The Stars" with Dorris Henderson (February 1967) and "Sir John Alot Of Merrie Englandes Musyk Thyng & Ye Grene Knyghte" (June 1968). Includes Bonus Album Outtakes and Non-Album Single Sides. Guest Musicians include Jacqui McShee, Danny Thompson and Terry Cox of Pentangle (May 2019 UK Cherry Tree Records 6CD Mini Clamshell Box Set with Six Albums and Eleven Bonus Tracks Featuring Various Remasters from 1999, 2001, 2002 and 2005 Further Mastered In 2019) - A Review by Mark Barry...

"...The Time Has Come... "

In July 2020, it's easy to be blasé about these British John Renbourn 60ts albums (originally on Transatlantic and Fontana Records) and their digital availability (most of his Solo LPs outside of Pentangle have been in the CD marketplace as Remasters since 2001 and 2002).

But I worked as a Rarities Buyer and Mail Order Manager at Reckless Records in Soho for near 20 years servitude and while you would occasionally see "Bert And John" or "Another Monday" or maybe even "Sir John Alot..." – the two Dorris Henderson album collaborations never ever showed up. Both are listed in the Record Collector Rare Record Price Guide at high three-figure sums – if you can find copies. His first album debut too from March 1966 has always been legendarily hard to find.

So this dinky little mother load from Cherry Tree of the UK (part of the Cherry Red Group of labels - Cherry Tree deals mostly with Folk) that rounds up six-albums plus eleven bonuses is astonishingly good value for money for any newcomer to this giant of British Acoustic Folk. And it sounds the biz-snitz too. So once more ye Grene-horns unto the Merrie Knyghte and his Musyk Thyng...

UK released 31 May 2019 - "Unpentangled: The Sixties Albums" by JOHN RENBOURN (with Bert Jansch of Pentangle and Dorris Henderson) on Cherry Tree CRTREEBOX023 (Barcode 5013929692305) is a 6CD Mini Clamshell Box Set with Six Albums, Eleven Bonus Tracks, Mini LP Card Sleeves and A 24-Page Booklet. Featuring First Generation Master Tape Remasters from 1999, 2001 and 2005 Mastered in 2019 by OLI HEMINGWAY - it plays out as follows:

CD1 (49:42 minutes): Doris Henderson and John Renbourn – "There You Go!"

February 1966 UK LP on Columbia SX 6001 in Mono (Tracks 1 to 17)

1. Sally Free And Easy [Side 1]

2. Single Girl

3. Ribbon Bow

4. Cotton Eyed Joe

5. Mr. Tambourine Man

6. Mist On The Mountain

7. The Lag's Song

8. American Jail Song

9. The Water Is Wide

10. Something Lonesome [Side 2]

11. Song (Falling Star)

12. Winter Is Gone

13. Strange Lullaby

14. You're Gonna Need Somebody On Your Bond

15. One Morning In May

16. A Banjo Tune

17. Going To Memphis

BONUS TRACKS:

18. The Leaves Are Green

19. The Hangman

Tracks 18 and 19 are the non-album A&B-sides of a May 1965 UK 45 Single on Columbia DB 7567. It was first issued digitally January 1999 in the UK for the CD reissue of "There You Go!" on Ace/Big Beat CDWIKD 186 (Barcode 029667418621). The 1999 Remaster for this whole album is licensed from Ace Records.

CD2 (54:20 minutes): John Renbourn – "John Renbourn"

March 1966 UK LP on Transatlantic TRA 135 in Mono (Tracks 1-15)

1. Judy [Side 1]

2. Beth's Blues

3. Song

4. Down On The Barge

5. John Henry

6. Plainsong

7. Louisiana Blues

8. Blue Bones

9. Train Tune [Side 2]

10. Candy Man

11. The Wildest Pig In Captivity

12. National Seven

13. Motherless Children

14. Winter Is Gone

15. Nosh And Rabbit

BONUS TRACKS:

16. The Wildest Pig In Captivity (Alternate Version)

17. Can't Keep From Crying

18. Blues Run The Game

19. Lucky Thirteen

Tracks 16 to 19 first issued November 2001 in the UK as Bonus Tracks for the CD reissue of "John Renbourn" on Castle Music CMRCD 359 (Barcode 5050159135929). Track 19 "Lucky Thirteen" also from the Bert Jansch UK album, "It Don't Bother Me" – December 1965 on Transatlantic TRA 132 in Mono (it's written by Renbourn and he plays second guitar on it too). The Remaster from 2001 is used for this CD.

CD3 (30:15 minutes): Bert Jansch and John Renbourn - "Bert And John"

September 1966 UK LP on Transatlantic TRA 144 in Stereo (Tracks 1-12)

1. East Wind [Side 1]

2. Piano Tune

3. Goodbye Pork Pie Hat

4. Soho

5. Tic-Tocative

6. Orlando

7. Red's Favourite [Side 2]

8. No Exit

9. Along The Way

10. The Time Has Come

11. Stepping Stones

12. After The Dance

BONUS TRACK:

13. The Waggoner's Lad - from the September 1966 Bert Jansch UK LP "Jack Orion" on Transatlantic TRA 143 – John Renbourn plays Second Guitar on this album opener. 

CD4 (27:59 minutes): John Renbourn – "Another Monday"

November 1966 UK LP on Transatlantic TRA 149 (Tracks 1 to 12)

1. Another Monday

2. Ladye Nothinge's Toye Puffe

3. I Know My Babe

4. Waltz

5. Lost Lover Blues

6. One For William

7. Buffalo [Side 2]

8. Sugar Babe

9. Debbie Anne

10. Can't Help From Crying

11. Day At The Seaside

12. Nobody's Fault But Mine

All tracks written by Renbourn except 3, 5, 8, 10 and 12 which are Traditional Songs and Blues covers.

Tracks 1, 2, 4, 6, 7, 9 and 11 are instrumentals

Renbourn sings Lead Vocals on Tracks 3 and 8 and duet vocals with Jacqui McShee [later with Pentangle] on Tracks 5, 10 and 12

CD5 (41:16 minutes): Dorris Henderson with John Renbourn – "Watch The Stars"

February 1967 UK LP on Fontana STL 5385 in Stereo (Tracks 1-15)

1. When You Hear Them Cuckoos Hollerin' [Side 1]

2. It's Been A Long Time

3. 30 Days In Jail

4. No More My Lord

5. Watch The Stars

6. There's Anger In This Land

7. Mosaic Patterns

8. Tomorrow Is A Long Time

9. For Lovin' Me [Side 2]

10. Come Up Horsey

11. God Bless The Child

12. The Time Has Come

13. Poems Of Solitude: Poems Of My Heart/Eighteen Tedious Ways/Magic String

14. Lonely Mood

15. Gonna Tell My Lord

BONUS TRACK:

16. Message To Pretty - March 1967 Non-Album A-side of a UK 45 on Fontana TF 811 ("Watch The Stars" album track was the B-side). "Message To Pretty" first issued as a Bonus Track in September 2005 for the CD reissue of "Watch The Stars" on Fledg'ling Records FLED 3055 (Barcode 5020393305525). The 2005 Remaster is used for all of this CD.

CD6 (37:47 minutes): John Renbourn - "Sir John Alot Of Merrie Englandes Musyk Thyng & Ye Grene Knyghte"

June 1968 UK LP on Transatlantic TRA 167 in Stereo (Tracks 1-10)

1. The Earle Of Salisbury [Side 1]

2. The Trees They Do Grow High

3. Lady Goes To Church

4. Morgana

5. Transfusion [Side 2]

6. Forty-Eight

7. My Dear Boy

8. White Fishes

9. Sweet Potato

10. Seven Up

BONUS TRACKS:

11. The Earle Of Salisbury (Alternative Version)

12. Transfusion (Alternative Version)

13. Forty-Eight (Alternative Version)

Tracks 11 to 13 are Album Outtakes first UK released digitally in November 2002 for the CD reissue of "Sir John Alot..." on Castle Music CMRCD 597 (Barcode 5050159159727). Terry Cox of Pentangle plays percussion instruments on the album and outtakes. The 2002 Remaster is used for this CD.

As you can see from the detailed list provide above – all six have been out on CD before with Remasters licensed from Ace, BMG (who handled Sanctuary) and Fledg'ling Records. Dating from 1999, 2001, 2002 and 2005 – all are newly mastered in 2019 by OLI HEMINGWAY for Cherry Tree. The Sanctuary, Ace and Fledg'ling reissues were all remastered from original Mono and Stereo tapes and as fans will have known for years – the audio is gorgeous – Bill Leader and his original production values shining through. Each of these albums is filled with a mixture of Sixties UK Folk, Acoustic Folk, Acoustic Blues, World Music, Acoustic Old Timey Country, Ancient Instrumentals and Traditionals of all sorts. This is lovely music to listen to on CD and at about four-quid an album – amazing value for money too. 

You know you're in the presence of class when the 24-page booklet features the Royal Festival Hall poster for 27 May 1967 where Marquee Productions invite you to an evening of the Blues with the first appearance from 'The Pentangle' – Bert Jansch and John Renbourn on Guitars, Jacqui McShee on Vocals, Danny Thompson on Bass and Terry Cox on Drums. Many of these band-mate troubadours would of course join Renbourn on these solo albums. With an essay by DAVID WELLS that acknowledges COLIN HARPER (a world authority on Pentangle and Solo releases) – the booklet compliments the text with double-page spreads of period stuff - trade adverts for gigs, the Sir John A lot LP release, pictures of the beautiful Dorris Henderson and a smiling Jacqui McShee, LP labels on Transatlantic and Fontana, demo copies of the rare 45s and so on. The CD label designs reflect the original Transatlantic and Fontana British LP colourings where relevant and the Singular Mini LP sleeves give full track lists (including bonuses) and discography info on the rear. It's all very tasty and thoughtfully done...

It opens on the very Joan Baez meets Judy Henske meets Doris Troy vocals of Dorris Henderson as she goes booms her way through "Sally Free And Easy" - a Cyril Tawney cover accompanied by the quiet Simon & Garfunkel acoustic guitar of Renbourn. They then go after three Traditionals - "Single Girl" (with leaking shoes), "Ribbon Bow" (own true love) and "Cotton Eyed Joe" (came for to show you my diamond ring) - before hitting the American Folk Man of the moment - Dylan and his hey "Mr. Tambourine Man". Other goodies include the beautiful Traditional "The Water Is Wide", a welcome acoustic Blues of Robert Johnson's "You're Need Somebody On Your Bond" while a convict sitting in the buck house playing guitar dreams of "Going To Memphis" - Renbourn's playing fabulous.

Future Pentangle cohort Bert Jansch plays on two tracks of John Renbourn's self-titled solo LP issued in March 1966 - "Blue Bones" and "Noah And Rabbit". Produced by Transatlantic's main man Nathan Joseph – the styles are mixed and genre cool. We go from Blind Boy Fuller's sugar woman in "Beth's Blues" through a John Donne poem put to music in "Song" – the American lonesome cry "John Henry" ballad done in bottleneck style - while Iain Matthews of Matthews Southern Comfort (after he left Fairport Convention) would name his 1972/1973 band after the gorgeous instrumental "Plainsong". The two Jansch collaborations feel so much better for the duelling guitars especially "Noah And Rabbit" and amongst the Bonus cuts is the truly gorgeous early Paul Simon song "Blues Run The Game"  - a tune Jackson C. Frank would cover of his Paul Simon-produced debut album in 1965 on Columbia Records. It never featured on an officially released S&G LP but an outtake of this fab little acoustic roller turned up on the Simon and Garfunkel "Old Friends" and subsequent "The Collection" Box Sets (Frank and S&G are both reviewed in this e-book). Hell even the collaboration instrumental "Lucky Thirteen" from the Bert Jansch December 1965 album "It Doesn't Bother Me" tagged on to Disc 2 as a Bonus is exactly that - an actual worthy extra.

"East Wind" opens with rattling strings as acoustic guitars do battle – the instrumental actually feeling like the ebb and flow of its title. But there is lay a problem. Reviewers had heard this type of short strummers album before and had deemed that neither Jansch nor Renbourn possessed a voice decent enough to carry a tune (I'd disagree). But, despite its mainly instrumental pieces being described at the time as "...a pleasant unmemorable record... " by some such reporter – softly-softly melodies contained within tunes like "Song" and "Along The Way" and their September 1966 simplicity - feels like a breath of acoustic Folk air in the clutter of July 2020. In much the same way, "Stepping Stones" string-pings out of your speakers with a subtle muscularity – great playing that is still musical. I love it. And how cool is it to hear the lovely Anne Briggs ballad "The Time Has Come" be given such a sympathetic rendering. The singular bonus is a genuine gem – "The Waggoner's Lad". The opening cut to the Bert Jansch solo album "Jack Orion" is a banjo-driven strummer like say 1970's "Gallows Pole" that I'm sure Jimmy Page 'borrowed' (instrument and all) for some Zeppelin song somewhere down the line. Simple, sweet and subtle - "Bert And John" is an album worth rediscovering in my book.

At a piddly twenty-eight minutes, Renbourn's official second solo album "Another Monday" is hardly guilty of Prog excess when it comes to playing time, but it does '...throw its arms around you like a circle around the sun...' as the great man sings in "I Know My Babe". Platter no. 2 "Another Monday" is a beautifully even-handed album - a cool breeze listen all the way through and I for one love his voice even though there were those at the time that slagged it off and would have paid him good money to never open his gob again (one went ballistic generous, taking all of his might to describe JR as a 'pleasant enough singer'). That cruel assessment was balls IMO because when you listen to his three duets with future Pentangle leading light Jacqui McShee on "Lost Lover Blues", "Can't Keep From Crying" and "Nobody's Fault But Mine" - the combo of their voices produced magic to my ears. Throw in the instrumental "One For William" where he accompanies himself on Oboe of all things using the ponderous pseudonym 'Jennifer d0e Montforte-Jones' and you get some trippy Acid Folk moments that also touch on a slight Jazz vibe.

It opens with two short instrumental originals - "Another Monday" and "Ladye Nothinge's Toye Puffe" - loveliness that flows over you sweetly (he revisited "Ladye..." on "The Nine Maidens" album in 1985). Renbourn sings "I Know My Babe" - a Blues Traditional that James Taylor based "Circle 'Round The Sun" on when he covered it too on his 1968 Apple Records debut "James Taylor". Renbourn's picking, his warm-toned vocal delivery and the "...sun's gonna shine..." lyrics all combine to make a fast-paced Acoustic mini masterpiece out of "I Know My Babe". But of all the instrumentals on the LP - his own "Waltz" is by far the most hair-raisingly brilliant - feeling like some lost Blues Speeder on some forgotten Folkways LP of the early Fifties (and you can so hear where Page nicked a few licks for Zeppelin). A cover of Blind Boy Fuller's "Lost Lover Blues" becomes the first of three featuring Jacqui McShee on duet vocals with Renbourn - sure ain't got no lovin' baby now. Combined with Renbourn moonlighting as the po-faced pseudonym Jennifer de Montforte-Jones the 'Oboe' player - the Acid Folk instrumental of "One For William" ends Side 1 on a high.

"Watch The Stars" is even harder to locate than their first Henderson & Renbourn LP outing but is a much better album, so consequently listed for more (£200 and higher). Henderson still had the Judy Henske stomping-woman power in her vocal range but had wisely paired it back and the unplugged feel to the songs comes courtesy of Danny Thompson of Pentangle being the only other musician on the LP (playing his Double-Bass). Rod Stewart would cover the gorgeous Bob Dylan song "Tomorrow Is A Long Time" on his 1971 masterpiece "Every Picture Tells A Story" – maybe he heard the delicate Henderson and Renbourn rendition on this February 1967 LP. The pretty continues with Henderson's own "Lonely Mood" – a hugely accomplished ballad (why hasn't someone covered this?). Amongst the covers she tackles Billie Holiday's "God Bless The Child" – her tremulous voice sweetly controlled. She lets it rip a tad with the Gordon Lightfoot cut "For Lovin’ Me" while she slurs drunk and dirty on the incarceration tune "30 Days In Jail". Her beliefs get her most passionate vocal for the Side 2 finisher "Gonna Tell My Lord" – wake the dead – while the stand-alone single "Message To Pretty" sounds like a Mamas & Papas pop-song outtake with harmonica fills from a different time. Don't need you to help me find my way...sounds great too.

Apart from a slew of originals, Renbourn tackles Booker T. & The MG's and their "Sweet Potato" on his wittily titled "Sir John Alot..." - the name of the album actually all run into one word on original Transatlantic LP labels. He co-writes the excellent "Forty-Eight" and "Seven Up" with Drummer Terry Cox of Pentangle while "The Trees They Do Grow High" is a ye-olde Traditional. Amidst the Bonus cuts my fave 'Alternative Version' is that of the Side 1 opener "The Earle Of Salisbury" – clever playing.

Dorris Henderson would join Eclection while both Jansch and Renbourn would enjoy long and prosperous solo careers outside of Pentangle into the Naughties. 

True Renbourn loons will already have all six of the previously issued CDs, but those wanting to know why British Folk created so much excitement back in the day (and dare we say it, was even cool) should look no further than this ample bosom of Merrie Acoustic John-tasticness - one of only a handful of artists to release four albums in one year (1966). Brilliant and then some... 

"Hello" by MARC BRIERLEY (September 2014 Cherry Tree UK CD 'Expanded Edition' Reissue and Remaster) - A Review By Mark Barry...

"…The Presence I Am Seeking…"

UK folky MARC BRIERLEY and his rare debut album - 1968's "Welcome To The Citadel" on CBS Records - has been treated to a luxurious and expanded CD remaster by Cherry Tree in September 2014 (Cherry Tree is part of Cherry Red Records). "Hello" is his second album from the summer of 1969 and again it's received a genuinely great upgrade. Here are the dewdrops and dodgy beards...

UK released September 2014 - "Hello" by MARC BRIERLEY on Cherry Tree CDTREE014 (Barcode 5013929691421) is an 'Expanded Edition' CD Reissue and Remaster that breaks down as follows (79:08 minutes):

1. Sunny Weather [Side 1]

2. Lady Of The Light

3. Today I Feel Like Leaving You

4. O Honey

5. A Presence (I Am Seeking)

6. The Room [Side 2]

7. Byrd Lives

8. Hello

9. Lookin' Around The Room

10. When Mother Comes

Tracks 1 to 10 are the album "Hello" - released August 1969 in the UK on CBS Records S 63835

11. Be My Brother

12. If You Took The Bandages Off Your Head (You Wouldn't Be So Blind)

Tracks 11 and 12 are A&B-sides of a November 1970 UK 7" single on CBS Records S 5266

13. The Best Part Of The Night

14. In This Hour Of Love

15. One Fine Morning (You Will Wake Up)

16. Screaming Schizophrenia Blues

17. Abide With You

18. Brown Ships

19. For People Who Are Parted

20. Sweet Summer

Tracks 13 to 20 are 'Island Records Demos' recorded in 1973

21. Be My Brother

Track 21 is a 'Rehearsal Demo'; Tracks 13 to 21 are all Previously Unreleased

The 12-page booklet combines his own recollections on the recording of the album with cool photos of Demo CBS 7" singles, a trade advert, a facsimile CBS Press release, period photos, outtakes from the album shoot and a Discography at the rear. Simon Murphy's CD Remaster at Another Planet Music is superb - very clear and at times - breathtaking. Players included Graham Todd on Organ, Dudley Moore guesting on Piano, Harold McNair provided Flute while the rhythm section consisted of John Fiddle on Bass with Tony Carr and Dougie Wright on Percussion and Drums respectively.

Musically his debut "Welcome To The Citadel" was a Folk record with Nick Drake, Al Stewart and Mick Greenwood leanings (hence its £400 Price Guide cost) - "Hello" at a mere £100 is far more poppy (seeking hits) and the lesser for it in truth. It opens with the irrepressibly cheery "Sunny Weather" which is almost vaudeville and not great. "Lady Of The Night" was coupled with "Sunny Weather" in October 1969 as a Uk 7" single on CBS Records S 4632 bit it tanked. Far better is the gorgeous acoustic/strings of "Today I Feel Like Leaving You" where you feel he was finding his own sound. "O Honey" is more slapstick with lyrics like "it could be so groovy..." but Side 1 ends with the album's masterpiece - the near seven-minute "A Presence (I Am Seeking)". It's gorgeous with Nair's flute complimenting the acoustic strum and spiritual lyrics - it's surely ripe for a cover version by someone with taste...

Side 2 opens with "The Room" - another quietly lovely tune while "Lookin' Around The Room" gets all zippy for all the wrong reasons. But "When Martha Comes" rescues your faith. The single "Be My Brother" is excellent - very much in keeping with the love and peace of the time (should have been on the album).

But as with the "Welcome To The Citadel" CD - there comes a shocker - a flurry of Previously Unreleased Demos made for Island Records in 1973 that show amazing songwriting maturity. They're hissy for sure but shockingly good. Songs like the lovely "In This Hour of Love" and "Screaming Schizophrenia Blues" are brilliant - but it's "One Fine Morning (You Will Wake Up)" that impresses most. Someone needs to make this tune famous too...

Robin Lent (who was involved in the original recording) writes in the liner notes that Marc Brierley deserves to be held up like RODRIGUEZ as a lost artist worthy of major reassessment and rediscovery. Is it a Sixto Rodriguez type situation - not really - but at times I tell you he gets damn close...

"Welcome To The Citadel" by MARC BRIERLEY (September 2014 Cherry Tree 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...

"…Solstice Of The Heart…" 

With a voice similar to Roy Harper and songs in the Folk Rock tradition of Nick Drake meets Simon & Garfunkel meets Al Stewart - it's a mystery as to why Marc Brierley's debut LP on the giant CBS Records did so little business in 1968? Maybe it was the concert-poster lettering of his name/title or Ron Hendersen's stunning oil painting on the cover that led people to believe it was some kind of "Odyssey & Oracle" Psych masterpiece when it was really a good old Folkie record? It sold zip and consequently it's booked at £400 in 2014 Price Guides - but often sells for much more on Auction sites. And on the strength of this fabulous Cherry Tree Expanded CD remaster (part of Cherry Red Records) - it's easy to see why collectors want it. Here are the keys to the Citadel...

UK released September 2014 - "Welcome To The Citadel" by MARC BRIERLEY on Cherry Tree CDTREE013 (Barcode 5013929691421) is an 'Expanded Edition' CD Reissue and Remaster that breaks down as follows (79:08 minutes):

1. The Answer Is
2. Vagabond Of Sleep
3. Matchbox Men
4. Over The Hills
5. Symphony
6. Take Me For A ride On Your Aeroplane
7. Welcome To The Citadel
8. Hold On, Hold On, The Garden Sure Looks Good Spread On The Floor
9. Autograph Of Time (After All The Heat Was Hung)
10. Sunlight Sleeper's Song
11. Making Love
12. Time Itself
13. And Who Would But Think
14. My Thoughts & Sounds
Tracks 1 to 14 are the album "Welcome To The Citadel" - released November 1968 in the UK on CBS Records S 63478

BONUS TRACKS: 
15. A Time For Love
16. Dragonfly
17. Arctic City
18. Rel's Song
19. If You Leave Me Now
Tracks 15 to 19 are the "Marc Brierley EP" - released 1966 in the UK on Transatlantic TRA EP 147

20. Stay A Little Longer Merry Ann
21. Flaxen Hair
Tracks 20 and 21 are the A&B-sides of a May 1969 UK 7" single on CBS Records 4191

22 Godspeed
23. Phoenix
24. Powers Of Glory
25. Hear Me Calling
26. Don't Let The Bugs Bite
Tracks 22 to 26 are 'Rehearsal Demos' and are Previously Unreleased

The 12-page booklet combines his own recollections on the recording of the album with cool photos of Demo CBS 7" singles, label facsimiles, period photos and a Discography at the rear. The album was recorded across 5 days without Dolby tape hiss reduction - so Simon Murphy's CD Remaster at Another Planet Music is superb - very clear and at times - breathtaking. The artist seems pleased with the results.

Musically "Welcome To The Citadel" has the almost demo-in-the-studio feel of Jackson C. Frank's 1966 self-titled debut album on Columbia Records famously produced by PAUL SIMON and featuring Simon's gorgeous "Blues Run The Game". Mix that up with a little Al Stewart/Roy Harper vocals and you get the picture.

The album opens with the gentle acoustic "The Answer Is" and you feel like you've stumbled on a great, lost Nick Drake situation. "Vagabond Of Sleep" cements the feeling and the violin on "Matchbox Men" gives it a sort of English Folk feel. But of course you never get `that' lucky. His voice isn't the greatest by any stretch of the imagination and his songs lack the sheer delicacy of Drake - and the poppy "Making Love" is so hippy dated it's awful. But in-between are lovely songs like the title "Welcome To The Citadel" track where Henry Lowther provides superb harmonizing Trumpet accompaniment to the acoustic guitar.
"Time Itself" features Sixties Idealism where he sounds a little like the Irish Folk duo Tir na N'Og on Chrysalis (lyrics above). And the last song is an absolute nugget - the six-minute "Thoughts & Sounds" is almost entirely instrumental except for some vocal refrains on the title towards the end of the song. Beautiful and accomplished acoustic guitar harmonics - ala Bert Jansch and John Renbourn - side with gentle percussion and echoed vocals. It's almost Prog and now remastered to superb quality...

A real prize for collectors is the 1966 EP - listed at £50 in the guides - I've never seen a copy in 45 years. Its rightly pictured on Page 4 with our hero wearing shades and a beard and looking oh so Sixties Troubadour. The instrumental "Dragonfly" is absolutely gorgeous. And then comes a real shock - five rehearsal demos (in acceptable sound) with three cracking new tunes "Phoenix", "Powers Of Glory" and "Hear Me calling" where he even sounds a little Ronnie Lane circa 1972 or 1974.

He would go on to produce another LP for CBS called "Hello" in the Summer of 1969 (which I've also reviewed). A superb reissue then and well done to all the good people involved...