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Showing posts with label Tony Visconti Remasters. Show all posts
Showing posts with label Tony Visconti Remasters. Show all posts

Tuesday 18 July 2023

"Electric Warrior" by T. REX – Second Album as T.Rex from September 1971 on Fly Records (UK) featuring Marc Bolan and Mickey Finn with guests Ian McDonald (of King Crimson), Rick Wakeman (of Yes) with Howard Kaylan and Mark Volman of The Turtles aka Flo & Eddie (January 2012 UK Universal/A&M/Fly Records 'Deluxe Edition' 2CD Reissue with 4 Bonus Tracks On CD1 and 21 Previously Unreleased Bonuses on CD2 - Tony Visconti, Paschal Byrne and Ben Wiseman Remasters)







 

2012 '40th Anniversary' 2CD DELUXE EDITION

 

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2012 '40th Anniversary' 1CD  Standard 'Expanded Edition' 
 


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"...Get It On..."

 

Losing my lovingly kept vinyl copy of the Rex's iconic "Electric Warrior" with the 'sticker' on the front cover (inner and poster inside too) a few years back has remained one of my big LP regrets over the years (needs must at the time and it had to be done). The British album on Fly Records sold loads (sleeve by Hipgnosis) - but for some reasons copies of an original with the sticker still intact (on the front sleeve) are stupidly rare – more than most fans know.

 

Fast forward to a '40th Anniversary' Reissue campaign and we get two variants of "Electric Warrior" for UK issue in April 2012 - a Single Expanded Edition CD with Four Bonus Tracks (Universal 533 780-1 - Barcode 600753378014) and a '2CD Deluxe Edition' with a Second Disc of 21 Previously Unreleased Demos and Outtakes from the 1971 sessions (Catalogue number below). Original Producer Tony Visconti has been involved in the Remaster process for the 11-Track 1971 album on CD1 whilst trusted Audio Engineer names like Paschal Byrne and Ben Wiseman handled the 25-track remastered remainder across both CDs. They sound huge - especially the shockingly good CD2.

 

These 40th Anniversary 2012 reissues have even reached out to fans and knowledgeable types who have provided loads of memorabilia for the lovely 24-page booklet. Both issues have their worth, whilst for me the 2CD DE variant has issues. Time to 'Get It On' and indeed 'Bang A Gong' for the original Jeepsters - T.REX. Here are the Glam Rock details...

 

UK released 17 April 2012 (1 May 2012 in the USA) – "Electric Warrior" by T.REX on Universal/A&M/Fly 533 780-0 (Barcode 600753378007) is an 'Deluxe Edition' 2CD Reissue (40th Anniversary) that plays out as follows:

 

CD1 (55:58 minutes):

The Original Album

1. Mambo Sun (3:36 minutes) [Side 1]

2. Cosmic Dancer (4:26 minutes)

3. Jeepster (4:07 minutes)

4. Monolith (3:45 minutes)

5. Lean Woman Blues (2:59 minutes)

6. Get It On (4:22 minutes) [Side 2]

7. Planet Queen (3:10 minutes)

8. Girl (2:29 minutes)

9. The Motivator (3:56 minutes)

10. Life's A Gas (2:23 minutes)

11. Rip Off (3:39 minutes)

Tracks 1 to 11 are the 2nd album "Electric Warrior" by T. REX (formerly known as Tyrannosaurus Rex for four previous LPs on Regal Zonophone Records) – released 24 September 1971 in the UK on Fly Records HIFLY 6 and in the USA on Reprise RS 6466. It peaked at No. 1 in the UK and No. 32 in the USA.

 

T. REX was:

MARC BOLAN – Vocals and Guitars

MICKEY FINN – Vocals and Percussion

IAN McDONALD – Saxophones (of King Crimson)

BURT COLLINS - Flugel Horn

STEVE CURRIE – Bass

WILL LEGEND – Drums

 

HOWARD KAYLAN & MARK VOLMAN [aka Flo & Eddie] – Backing Vocals

RICK WAKEMAN (of Yes) – Piano on "Get It On" (uncredited)

STRING SECTION – Uncredited

 

BONUS TRACKS:

Singles 'A' & 'B' Sides

12. There Was A Time/Raw Ramp (B-side of "Get It On" – UK 7" single released 2 July 1971 on Fly Records BUG 10). Although listed as a two-part B-side in the title, it has in fact three distinct musical sections with the uncredited Part 3 sometimes known as "Electric Boogie" because of the lyrics. "Get It On" peaked at No. 1 in the UK charts and was billed as "Bang A Gong (Get It On)" in the USA on Reprise 1032 when it was released December 1971. It entered the US Billboard Singles charts 29 January 1972 and peaked at No. 10 a few weeks later. It was the only chart single in the USA for T.Rex – a stark contrast to his huge chart status in the UK.

 

13. Hot Love (Non-Album A-side – UK 7" single released 19 February 1971 on Fly Records BUG 6) – peaked at No. 1 on the UK singles charts

 

14. Woodland Rock (1 of 2 Non-Album B-sides to "Hot Love" – UK 7" single released 19 February 1971 on Fly Records BUG 6) – peaked at No. 1 on the UK singles charts

 

15. The King Of The Mountain Cometh (2 of 2 Non-Album B-sides to "Hot Love" – UK 7" single released 19 February 1971 on Fly Records BUG 6) – peaked at No. 1 on the UK singles charts

 

CD2 (60:32 minutes):

Demos & Out-Takes: Previously Unreleased

1. Electric Warrior Poem (0:21 minutes)

2. Mambo Sun (3:49 minutes, instrumental only)

3. Cosmic Dancer (4:26 minutes)

4. Jeepster (4:18 minutes)

5. Monolith (2:23 minutes)

6. Lean Woman Blues (3:05 minutes, Take 10)

7. Get It On (5:48 minutes, Extended Version with Different Ending)

8. Planet Queen (2:56 minutes)

9. Girl (2:29 minutes)

10. The Motivator (3:57 minutes)

11. Life's A Gas (3:32 minutes, with studio dialogue and false start)

12. Rip Off (3:18 minutes)

13. Raw Ramp (2:21 minutes)

14. Electric Boogie (2:06 minutes)

15. Untitled Instrumental aka A Lot Of Rubbish (1:35 minutes)

16. Honey Don't (3:23 minutes, Carl Perkins cover version)

17. Planet Queen (2:25 minutes)

18. Girl (0:38 minutes)

19. Jeepster (2:34 minutes)

20. Get It On (3:15 minutes, Acoustic Demo)

21. Electric Warrior Poem and Radio Advert (0:58 minutes)

 

The packaging is a mixed bag for me - great in some ways but infuriating in others and something of a missed opportunity. The original issues by Universal of their 2CD DELUXE EDITION series (as most fans will know) came with outer plastic slipcases that protected and gave shape to the multiple gatefold card digipak contained within. Around the time of the Thin Lizzy 2CD DE Reissues, Universal suddenly decided to ditch those slipcases and just put a 2CD DELUXE EDITION Bandana around the card digipak at the bottom (aping the look of old) and left it at that. What this does essentially is to make them instantly vulnerable to damage and crushing. And as the glossy dark cover of "Electric Warrior" is so stark, it immediately starts creasing and getting finger marks no matter what way you handle it. In short, any genuine visual impact of an event release is lost.

 

Let’s however deal with what we do have – compare the single with the double too. The first thing you notice about the 2CD DE Variant is that the lyrics are reproduced on the inner flaps as you open the DE seal – they are not in the Single Disc variant. The 24-page booklet however is in both – no differences. Cleverly too, CD1 has the Bolan and Finn photo that graced one side of the original LP label - while CD2 has the Fly Records logo that graced the other vinyl label side. On the inner four-way fold-out flaps is the beautiful pencil drawings done by George Underwood that were the inner bag of the original 1971 vinyl LP. Reproduced beneath the see-through plastic CD trays are two black and whites of Bolan – both are in the booklet too.

 

The generously outfitted 24-page booklet is a fan's dream – beautifully and smartly laid out. You get updated (new research especially for this 2012 issue) and in-depth liner notes from noted Bolan expert MARK PAYTRESS – as well Melody Maker, NME, Sounds and Beat Instrumental front page repros, snaps of Bolan in the studio, on stage with T.Rex and relaxing (the poster shot). There is the rare sheet music for "Hot Love" and a picture of Bolan by a bus with his girlfriend as well as the George Underwood pencil drawings that were the inner bag (Bolan on one side, Mickey Finn on the other) – they adorn either side of the centre pages. The black and white fold-out 30" x 20" Poster that came with original British LPs is reproduced on Page 4 - and as you turn to Page 2 – you get to see the actual live photo of T.Rex they used to form the front cover artwork. They simply zeroed in on Bolan, his Guitar stance and Stacked Amps behind him, put a Halo Effect around those whilst excluding the rest of the band. It is nice attention to detail to see that photo.

 

But you would have to say that although the 24-page booklet is chunky for all the right reasons (it is used in both the Single CD Edition and this 2CD Deluxe Edition) – it rather stupidly doesn’t mention anything about the entirety of CD2 and its haul of 21 Previously Unreleased outtakes – not one word – clearly written before they were settled on as extras. For instance when you look at Track 2 on CD2, it simply states "Mambo Sun" and nothing else. You play it and it turns out to be Instrumental Only Version minus any vocals and is a fantastic sounding chug with an extended guitar ending (no Take Numbers either). Back to the booklet - there is discussion of the singles "Hot Love" in February 1971 and "Get It On" in May 1971 – both before the album launch of September 1971 – and their rather good Non-LP B-sides – but naught on CD2. And how cool would it have been that the too-easily-crushed plump card digipak was made instead into a Mini LP Sleeve with a protective case (like those Stones reissues on Virgin) with the Sticker 'Free T.Rex Poster Inside' like the original British LP on the Repro, plus the inner-bag and fold-out poster on the inside. Anything that would have made it look like more than the visual anti-climax this DE is. But alas...let’s get to the audio and songs...

 

Original Producer TONY VISCONTI has remastered the album for this issue while the hugely experienced Audio Engineers PASCHAL BYRNE and BEN WISEMAN handled the Bonus Tracks on CD1 and the whole of CD2. All of it sounds renewed and incredibly alive. There are hissy passages for sure but no tampering with the original sound has taken place to my ears - it's just breathing better now. A job sensitively done...

 

Right from the opening guitar chug of "Mambo Sun" – the vocals, the strings and backing singers and those cool swinging guitars – all of it sleeks out of your speakers with the swagger of a man on the up. There is a lot of hiss as "Cosmic Dancer" opens with the Acoustic and Strings – but there's no denying the loveliness of the song. The whack off "Jeepster" is shocking – that foot-stomping guitar boogie still gets me too (another effortless No. 1 single dashed off in his sleep). That lone guitar rip at the beginning of "Monolith" threatens to punch a hole in your speaker cones on this ballsy remaster – the lurching slugger beat somehow now even more epic than I remember it ("...shallow are the actions of the children of the men...oh yeah!") Side 1 ends with "Lean Woman Blues" – a one two and buckle my shoe set of Bolan Blues where he bemoans his lady's 'lean love' while those guitars riff and groan ("...you're the love of my life...then you gorge me with a knife...")

 

What can you say about "Get It On" - a winner to this day. I was a kid in Dublin 1971 and we'd gone with the scouts to Todd Vale Camp Site near Liverpool in England for a summer outing. On the site someone had a portable singles deck and the rare picture sleeve of "Get It On". Sun shining down – campfires nearby cooking dinner - bopping to that infectious beat - man we must played that sucker nine times in a row (the memory still sends chills up my arms). And here it is again with that fabulous Visconti production only better – bang a gong baby! Many peoples other fave is the slinky Acoustic Rock of "Planet Queen" – a great Bolan groove. Burt Collins provides the Flugel Horn for the pretty "Girl" – a song where Marc sounds most like Bowie - who would of course release "Hunky Dory" in December of that great year (1971). More cool Bolan riffage with the "...love the way you walk..." groove of "The Motivator" – while both 'Life's A Gas" and the angry live-in-the-studio "Rip Off" have healthy amounts of hiss for sure but still sound like they've been given a right old dust off - unleashed even.

 

What I also love about this reissue is that the Bonus Tracks provide you with four truly great non-album single sides – “Woodland Rock” and "The King of The Woodland Cometh" like some Tyrannosaurus Rex boogie outtakes, the so sexy sway of "Hot Love" and that amazing 3-part B-side to "Get It On". I’ve even isolated "Electric Boogie" as a track by itself (begins at 3:23 minutes) – what a blast. But those are blow out of the water by two truly fantastic additions to the album’s legend – a raucous dirty-dirty "Lean Woman Blues" and an extended 5:48 minute version of "Get It On". Much of the stunning hubcap diamond star halo version of "Get It On" that we know and love is all here - but there are other bits – guitars and vocals that amaze – yelps and those strings – and we finally get to hear where the fade-out ending guitar notes goes – so damn cool. And again – the Audio is fabulous.

 

CD2 offers up a fabulous and at times shockingly good/cool insight into the whole song-building process – Bolan dancing himself into the tomb on the early version of "Cosmic Dancer" – all acoustic guitars and drums – alive like early Bowie circa Hunky Dory. "Jeepster" has a slightly rougher vocal and you can really hear those foot stamps (upon your frozen cheeks) and a sexy breakdown ending full of raw power. When you hear the rough and ready guitar wallop of "Rip Off" in its instrumental form – you realize that the album was perhaps going to be more Bowie goes Rock than Bolan goes Beltane (love that guitar ending where he just feeds back the notes). Take 2 of "Electric Boogie" (third part of  single B-side, see CD1) is preceded by some studio vocals but isn't as good as the final single mix. Speaking of "Electric Boogie" - the version here soon descends into that fantastic riffage which only makes me think that "Electric Boogie" would have ended a great album even better. The unreleased instrumental is a kind of meaningless ramble (disappointing) and the cover of the Carl Perkins classic "Honey Don't" feels like a Stray Cats outtake with someone sounding like Ringo Starr giving it some backing vocals. And again to hear an early acoustic demo of "Get It On" – you can hear the hit it would become already there with its sexy sway and great lyrics. Bang a gong indeed...

 

Marc Bolan would go on to "The Slider" and "Tanx" albums in 1972 and 1973 in the height of Seventies Bolanmania (and so much more) until his sad loss in London in 1977 in a car accident. But "Electric Warrior" is the one in the hearts of his original fans – that otherworld creature with his wild hair, beautiful face, affected vocals and fabulous guitar hooks.

 

As Bolan sang in the irrepressible Jeepster - "...I'll call you a jaguar if I may be so bold..." Amen to that you slinky mother...

Tuesday 13 March 2018

"A New Career In A New Town [1977 - 1982]" by DAVID BOWIE (September 2017 Parlophone 11-CD Box Set - Ray Staff and Tony Visconti Remasters) - A Review by Mark Barry...




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"...Subterraneans...Shine Bright..." 

Having reviewed and loved Box Sets 1 and 2 in this ongoing series covering his entire output - like most diehard David Bowie fans I'd pre-ordered Box 3 with more than a degree of finger-licking excitement. And in recognition of my contributions to Dublin, London, Margate and humanity in general – Parlophone had kindly arranged to have it especially released the day after my birthday - Friday, 29 September 2017 (swear to God).

It arrived, I cracked "A New Career..." open, enjoyed "Low" (way better than I remember) and then I get to "Heroes" and the proverbial contaminant hit the fan. At a hundred quid - I couldn't believe what I was hearing - volumes up and volumes down in an obvious mastering glitch not mentioned anywhere in the liner notes. Then like so many others affected by his horrible loss - a certain disgust and anger crept in. Truthfully Box No. 3 sat on my desk unloved and un-reviewed for two weeks - and then unable to bear looking at what I perceived to be a sloppy and exploitive little bugger anymore - I finally sent it back for a refund.

Months passed - Brexit lingered - builders drank strong tea with three sugars - and then Amazon did one of those surprise culls of stock. Suddenly Box No. 3 was dropped in price to sixty-five quid (bloated racks no doubt from all the enraged reviews and returns). So I thought maybe they've rectified the mastering problem in abject shame - and even if they haven't - I'd live with the glitch on his most beloved song "Heroes" and dig the rest anew.

Well here we are in March 2018 – and we’re still left with what was issued. But now on re-examination and totally digging the fabulous new Ray Staff/Tony Visconti audio throughout - my real problem is not "Heroes" at all - but the dog that is "Lodger" which we're laughably given here in two useless dollops masquerading as 'Bonus' material. Even the catalogue padding that has always been "Stage" sounds better (Visconti’s very clever re-sequencing of it as a 2017 Version is a revelation – way better than I expected as I’m sure many fans are discovering). So before I get a hernia and lose even more hair in my delicate medical and mental state - let's get to the 'Vorsprung Durch Technik's - if you know what I'm saying...

UK released Friday, 29 September 2017 - "A New Career In A New Town [1977 - 1982]" by DAVID BOWIE on Parlophone DBX 3 - 0190295843014 (Barcode 0190295843014) is an 11-Disc Box Set (4 Studio Albums, 2 Live Double-Albums, 1 EP, 1 Remixed Album and 1 Compilation) with a Hardback Book that plays out as follows:

Disc 1 "Low" (39:03 minutes):
1. Speed Of Life [Side 1]
2. Breaking Glass
3. What In The World
4. Sound And Vision
5. Always Crashing In The Same Car
6. Be My Wife
7. A New Career In A New Town
8. Warszawa [Side 2]
9. Art Decade
10. Weeping Wall
11. Subterranean
Tracks 1 to 11 are his 11th studio album "Low" - released January 1977 in the UK on RCA PL 12030 and in the USA on RCA CPL1-2030. Produced by DAVID BOWIE and TONY VISCONTI - it peaked at No. 2 in the UK and No. 11 in the USA.

Disc 2 "Heroes" (40:44 minutes):
1. Beauty And The Beast
2. Joe The Lion
3. Heroes
4. Sons Of The Silent Age
5. Blackout
6. V2 Schneider [Side 2]
7. Sense Of Doubt
8. Moss Garden
9. Neukoln
10. The Secret Life Of Arabia
Tracks 1 to 10 are his 12th studio album "Heroes" - released October 1977 in the UK on RCA PL 12522 and in the USA on RCA AFL1-2522. Produced by DAVID BOWIE and TONY VISCONTI - it peaked at No. 3 in the UK and No. 35 in the USA.

Disc 3 "Heroes E.P." (19:25 minutes):
1. Heroes/Helden (German Album Version)
2. Helden (German Single Version)
3. Heroes/Heros (French Album Version)
4. Heros (French Single Version)
First of four exclusive to this CD set

Disc 4 "Stage" (Double-Live Set):
CD1 (34:09 minutes)
1. Hang On To Yourself [Side 1]
2. Ziggy Stardust
3. Five Years
4. Soul Love
5. Star
6. Station To Station [Side 2]
7. Fame
8. TVC 15

CD2 (39:32 minutes)
1. Warszawa [Side 3]
2. Speed Of Life
3. Art Decade
4. Sense Of Doubt
5. Breaking Glass
6. Heroes [Side 4]
7. What In The World
8. Blackout
9. Beauty And The Beast
CD1 and CD2 is the original mix of the live album "Stage" - released September 1978 in the UK on RCA PL 02913 and in the USA on RCA CPL2-2913 as 2LP sets. Produced by TONY VISCONTI - it peaked at No. 5 and No. 44 in the UK and USA

Disc 5 "Stage (2017)"
CD1 (49:16 minutes):
1. Warszawa
2. "Heroes"
3. What In The World
4. Be My Wife
5. The Jean Genie
6. Blackout
7. Sense Of Doubt
8. Speed Of Life
9. Breaking Glass
10. Beauty And The Beast
11. Fame

CD2 (47:51 minutes):
1. Five Years
2. Soul Love
3. Star
4. Hang On To Yourself
5. Ziggy Stardust
6. Suffragette City
7. Art Decade
8. Alabama Song
9. Station To Station
10. Stay
11. TVC 15
Exclusive to this set

Disc 6 "Lodger" (34:58 minutes):
1. Fantastic Voyage [Side 1]
2. African Night (Flight)
3. Move On
4. Yassassin
5. Red Sails
6. D.J. [Side 2]
7. Look Back In Anger
8. Boys Keep Swinging
9. Repetition
10. Red Money
Tracks 1 to 10 are his 13th studio album "Lodger" - released May 1979 in the UK on RCA PL 13254 and in the USA on RCA APL1-3254. Produced by DAVID BOWIE and TONY VISCONTI - it peaked at No. 4 and No. 20 in the UK and USA.

Disc 7 "Lodger (2017 Tony Visconti Mix)" (35:05 minutes):
As per Disc 6 - Disc 7 is exclusive to this set

Disc 8 "Scary Monsters (And Super Creeps)" (45:48 minutes)
1. It's No Game (No. 1) [Side 1]
2. Up The Hill Backwards
3. Scary Monsters (And Super Creeps)
4. Ashes To Ashes
5. Fashion
6. Teenage Wildlife [Side 2]
7. Scream Like A Baby
8. Kingdom Come
9. Because You're Young
10. It's No Game (No. 2)
Tracks 1 to 10 are his 14th studio album "Scary Monsters (And Super Creeps)" - released September 1980 in the UK on RCA BOWLP 2 (PL 13647) and in the USA on RCA AQL1-3647. Produced by DAVID BOWIE and TONY VISCONTI - it peaked at No. 1 in the UK and No. 12 in the USA

Disc 9 "Re:Call 3" (67:38 minutes):
1. "Heroes" (Single Version)
2. Beauty And The Beast (Extended Version)
3. Breaking Glass (Australian Single Version)
4. Yassassin (Single Version)
5. D.J. (Single Version)
6. Alabama Song
7. Space Oddity (1979 Version)
8. Ashes To Ashes (Single Version)
9. Fashion (Single Version)
10. Scary Monsters (And Super Creeps) (Single Version)
11. Crystal Japan
12. Under Pressure (Single Version) - QUEEN and DAVID BOWIE

Bertolt Brecht's BAAL:
13. Baal's Hymn
14. Remembering Marie A.
15. Ballad Of The Adventurers
16. The Drowned Girl
17. The Dirty Song

18. Cat People (Putting Out Fire) (Soundtrack Album Version)
19. Peace On Earth/Little Drummer Boy (Mono) - DAVID BOWIE and BING CROSBY
Exclusive compilation to this Box Set

Like Box 1 and 2 - the hardback book of 150+ pages for Box 3 is a thing of beauty and something fans will lap up. Again each album is discussed and pictured in release date order with rare posters, unused artwork, single picture sleeves, release info and track-by-track info distributed amidst the text. Bud Scoppa's article on "Low" is here, Matt Damsker's April 1978 review of Bowie's return to the live setting with his concerts at the Spectrum Stadium in Philadelphia in front of 18,000 adoring fans (used for the "Stage" double) - but more important to real Bowie lovers are Tony Visconti's first hand accounts of recording iconic sets like "Heroes" and "Scary Monsters..." as well as his mission to remix "Lodger" which he's made fractionally longer. The oversized Mini LP replica sleeves are sweet – the stickered track-list on the back of "Low" with the Fan-Club invite too – the Euro-Sleeve for the German and French language versions of "Heroes" - inners and inserts for "Stage", "Lodger", "Scary Monsters..." and a pensive Bowie in the Studio on the cover of the new "Re:Call 3..." compilation (itself with an inner sleeve). Very tasty.

But for me what is most thrilling is the RAY STAFF and TONY VISCONTI Remasters - I had the 1999 versions of "Low" and "Heroes" and these new cuties are 'huge' in comparison. The rhythm sections on each CD are in your face and not amped for the sake of it. Yet when I look at the huge number of names and contributors thanked on the last pages - that mastering mistake on "Heroes" seems all the more inexplicable. Still, there is the music...

I can recall feeling that a year after the high of 1976's soulful "Station To Station" - the new jagged-sounding 1977 Bowie (watching walls in Berlin with his pals Brian Eno, producer Tony Visconti, guitarist Carlos Alomar and occasional drop-in vocalist Iggy Pop) - was a disappointment. I've always thought the instrumental "Speed Of Life" a waste of space – but improvement wasn’t far away with "Breaking Glass", "What In The World" and the funky "Sound And Vision" – an obvious single and rightly deserved hit. But my poison here is the fabulous "Always Crashing In The Same Car" - a very human song wrapped around typically innovative Bowie sounds that somehow worked for it and not against. The audio here is superb - huge bass from George Murray.

The second single from the album "Be My Wife" features piano runs from Roy Young that are suddenly audio-new. The album’s other winner is the Box Set's chosen title - "A New Career In A New Town" - Ricky Gardiner joining Alomar on guitar whilst Eno plays all keyboards and synths. Bowie plays everything on "Weeping Wall" and here the Audio is spectacular - almost a goof-off of a tune - like Todd Rundgren on a Prog "Initiation" tip - I love it. But that is merely a prologue to the album's masterpiece "Subterraneans" - and again Murray's bass is in your face for all the right reasons as are Bowie's 'ah' voices swirling around the speakers before he goes into that Soulful Sax solo (I never did find out who 'Peter and Paul' on Piano and A&P are?). "Low" divides people (I know some who can’t abide it) - but this Ray Staff/Tony Visconti Remaster is the very best I've ever heard the album – nice one.

As Bowie goes into his ooh intro to "Beauty And The Beast" – the Remaster is fantastic – can’t say no to this one. But half way through the six-minute album version of "Heroes" – there’s a sudden surge in sound then a dropdown in volume that ruins an otherwise improved track. It’s maddening because those background guitars and noises are more to the fore and in all the right ways. The shame was on the other side indeed. At least "V-2 Schneider" kicks, as do the doomy piano chords that open "Sense Of Doubt". There’s a pronounced serenity to those plucked notes in "Moss Garden" where our David goes all Osaka on our Berliner butts (always loved this dreamy soundscape of a tune). Sand in my eyes for "The Secret Life Of Arabia" – a forgotten chugger (could have been a single) on an album dominated by its epic title tune. Speaking of which – the 4-track 2-languages "Heroes E.P." feels like a bit of a Box Set faff – single and album tracks that could easily have been tagged onto the UK LP proper and the box’s price dropped. In fact as you play the German version – you’re left wondering when the foreign language is going to kick in (2:15 roughly).

Keyboard whizz-kid Roger Powell of Todd Rundgren’s UTOPIA joined up with guitarists Carlos Alomar, Adrian Belew and Violinist Simon House as part of Bowie’s house band for the "Stage" double live. I have to say that I’ve mixed feelings towards this perennial rack-filler (always the first to be sold when a punter is stuck for a few bob). Even though the recordings and band are tight – the hugeness of the venue is obvious in the vibe and I’ve always thought it did for the recordings. The echoed-vocals on "Five Years" try to lift the song while "Star" just feels ever so slightly yesterday for David Bowie. Side 2 starts to feel better with a trio of tracks he actually wanted to play – the huge train synths of "Station To Station" eliciting wolf whistles (amazing guitar work from the boys). But its the in-keeping with the times Funk-Rock of "Fame" and "TVC 15" that suddenly elevate proceedings (loose and hard to swallow). But it’s not until you get to Visconti’s new sequencing of the double that you begin to understand. He includes more and starts with tracks from "Heroes" rather than earlier crowd-pleasers. Following "Station To Station" with "Stay" and putting the winner of "Fame" at the end of Disc 1 is a very smart play. And the inclusion of "Alabam Song" works better too.

I can remember Bowie's light and rep dipping with "Lodger" - an album that mostly annoyed people instead of thrilling. Tony Visconti clearly feels that this much-maligned album deserves reappraisal as his 2017 versions of "Fantastic Voyage" and "D.J." are filled with new oomph. They sound huge all of a sudden (massive rhythm sections) - his mix of "Boys Keep Swinging" being better too. The inner gatefold of the new version foregoes the strange collage of photos that greeted fans on the 1979 original - instead we get a slight outtake of the crooked-nose shot and the white-insert of the original LP becomes black for the new 2017 version. But tracks like "African Night Flight" and the mock Buddy Holly of "Move On" feel like they're still testing my patience. I still can't quite say whether "Yassassin" (Turkish for "Long live" apparently) and the finisher "Red Money" are dead rhythms or genius ahead of its time.

"Scary Monsters..." and the awesome video to "Ashes To Ashes" made him a star all over again - revisiting Major Tom also putting him back at the top of both the singles and LP charts. Between it, "Under Pressure" and the economic single edits on "Re:Call 3" all of which feel punchier for their brevity - it's enough to replenish your faith in his greatness. And Mono or not - but that duet with a crooner (Bing Crosby for Gawd's sake) has to be one of the best and most unlikely hits imaginable. But then we're talking about David Bowie.

Typical of corporate greed - the price has returned to its former rip-off status just to ranker us once more. But at least I'm coming around to owning it - mistakes and all. I just wish that someone would actually do the original Space Kid the solid he so obviously deserves and fix this. And maybe even release the "Re:Call" sets from all 3 as stand-alone compilations.

"Art Decade" he sang on "Low" 41 years ago - busy inventing Art Rock and everything else musically chameleon as he went along. Will we ever see his extraordinary like again. RIP you genius...

Thursday 6 October 2016

"Who Can I Be Now? [1974-1976]" by DAVID BOWIE [feat John Lennon, Luther Vandross, Roy Bittan (of The E-Street Band), Tony Kaye and David Sanborn] (September 2016 Parlophone 12CD Box Set – Ray Staff , Tony Visconti, John Webber and Cicely Balston Remasters) - A Review by Mark Barry...



"...Wild Is The Wind..."

Back when I pre-ordered this 2nd Bowie Box Set covering 1974 to 1976 - I looked at the track list and thought - where's my ton's worth? There seemed to be a lot of filler and unnecessary duplication for a hundred quid - and with his incredibly sad and untimely passing – the taking of the monetary Michael.

But having living with 'DBX 2' a week or so now - I'm way more impressed that I thought I'd be. And not just with the beautiful presentation and the spiffing new Ray Staff remasters - but with the 'content' which has made me reassess this whole period completely – a phase in his ongoing changes that always seems to be maligned and poo-poo'd compared to the classic early Seventies and the Berlin period to come. There's a lot to wade through - so lets once more celebrate the Thin White Duke becoming the Cool Soul Boy...

UK and US released 24 September 2016 - "Who Can I Be Now? [1974-1976]" by DAVID BOWIE on Parlophone DBX 2 - 0190295989842 (Barcode 0190295989842) is a 12CD Cube Box Set with an 84-Page Hardback Book and plays out as follows:

Disc 1 "Diamond Dogs" (38:33 minutes)
1. Future Legend
2. Diamond Dogs
3. Sweet Thing
4. Candidate
5. Sweet Thing (Reprise)
6. Rebel Rebel
7. Rock 'N' Roll With Me
8. We Are The Dead
9. 1984
10. Big Brother
11. Chant Of The Ever Circling Skeletal Family
Tracks 1 to 11 are his 8th studio album "Diamond Dogs" - released 31 May 1974 in the UK on RCA Victor APL1 0576 and in the USA on RCA Victor CPL1 0576. Written, Arrange and Produced by DAVID BOWIE with TONY VISCONTI - it peaked at No. 1 in the UK and No. 5 in the USA on the LP charts. CD Newly Remastered by RAY STAFF at Air Mastering with TONY VISCONTI.

Disc 2 "David Live - At The Tower Philadelphia":
CD1 (39:43 minutes)
1. 1984
2. Rebel Rebel
3. Moonage Daydream
4. Sweet Thing/Candidate/Sweet Thing (Reprise)
5. Changes
6. Suffragette City
7. Aladdin Sane
8. All The Young Dudes
9. Cracked Actor

CD2 (41:35 minutes):
1. Rock 'N' Roll With Me
2. Watch That Man
3. Knock On Wood
4. Diamond Dogs
5. Big Brother
6. The Width Of A Circle
7. The Jean Genie
8. Rock 'N' Roll Suicide
Disc 1 and 2 are the double live-album "David Live" - released 29 October 1974 in the UK on RCA Victor APL2 0771 and in the USA on RCA Victor CPL2-0771. Produced by TONY VISCONTI - it peaked at No. 2 in the UK and No. 8 in the USA. CD Newly Remastered by RAY STAFF at Air Mastering with TONY VISCONTI.

Disc 3 "David Live (2005 Mix)":
CD1 (49:11 minutes)
1. 1984
2. Rebel Rebel
3. Moonage Daydream
4. Sweet Thing/Candidate/Sweet Thing (Reprise)
5. Changes
6. Suffragette City
7. Aladdin Sane
8. All The Young Dudes
9. Cracked Actor
10. Rock 'N' Roll With Me
11. Watch That Man
12. Knock On Wood

CD2 (53:39 minutes):
1. Here Today, Gone Tomorrow
2. Space Oddity
3. Diamond Dogs
4. Panic In Detroit
5. Big Brother
6. Time
7. The Width Of A Circle
8. The Jean Genie
9. Rock 'N' Roll Suicide
Released November 2005 on EMI 874 3042 - CD Newly Remastered by RAY STAFF at Air Mastering with TONY VISCONTI.

Disc 4 "The Gouster" - Previously Unreleased As An Album (40:08 minutes):
1. John, I'm Only Dancing (Again) - 7:02 minutes
2. Somebody Up There Likes Me - 6:31 minutes
3. It's Gonna Be Me - 6:30 minutes
4. Who Can I Be Now? - 4: 42 minutes [Side 2]
5. Can You Hear Me - 5:24 minutes
6. Young Americans - 5:17 minutes
7. Right
The original version of what would become the "Young Americans" LP was to be called "The Gouster" and was mastered as such (one of the pages in the booklet shows Bowie's handwritten track list and mixing instructions). Produced by TONY VISCONTI except for "Right" and "Somebody Up There Likes Me" - done by TONY VISCONTI and HARRY MASLIN - CD Remastered by RAY STAFF with TONY VISCONTI

Disc 5 "Young Americans" (40:52 minutes):
1. Young Americans - 5:14 minutes
2. Win - 4:48 minutes
3. Fascination - 5:48 minutes
4. Right - 4:23 minutes
5. Somebody Up There Likes Me - 6:36 minutes [Side 2]
7. Across The Universe - 4:34 minutes
8. Can You Hear Me - 5:10 minutes
9. Fame 4:20 minutes
Tracks 1 to 9 are his 9th studio album "Young Americans" - released 7 March 1975 in the UK on RCA Victor RS 1006 and in the US on RCA Victor AQL1-0998.  It peaked at No. 2 in the UK and No. 9 in the US LP charts. CD 2016 Remastered by RAY STAFF and TONY VISCONTI.

Disc 6 "Station To Station" (38:24 minutes):
1. Station To Station
2. Golden Years
3. Word On A Wing
4. TVC 15 [Side 2]
5. Stay
6. Wild Is The Wind
Tracks 1 to 6 are his 10th studio album "Station To Station" - released 23 January 1976 in the UK and USA on RCA Victor APL1 1327 and in the USA - it peaked at No. 5 in the UK and No. 3 in the US LP charts. CD 2016 Remastered by RAY STAFF and TONY VISCONTI.

Disc 7 "Station To Station (2010 Harry Maslin Mix)" (38:16 minutes):
1. Station To Station
2. Golden Years
3. Word On A Wing
4. TVC 15 [Side 2]
5. Stay
6. Wild Is The Wind
First released 20 September 2010 as part of the "Station To Station" Deluxe Box Set on EMI BOWSTSD 2010.

Disc 8 "Live Nassau Coliseum '76"
CD 1 (42:23 minutes):
1. Station To Station
2. Suffragette City
3. Fame
4. Word On A Wing
5. Stay
6. Waiting For The Man
7. Queen Bitch

CD 2 (40:38 minutes):
1. Life On Mars?
2. Five Years
3. Panic In Detroit
4. Changes
5. TVC 15
6. Diamond Dogs
7. Rebel Rebel
8. The Jean Genie
First released 20 September 2010 as part of the "Station To Station" Deluxe Box Set on EMI BOWSTSD 2010.

Disc 9 "Re: Call 2" (47:25 minutes):
1. Rebel Rebel (Original Single Mix) - 15 February 1974 UK 7" single on RCA Victor LPBO 5009 (mastered from an original 45 as mastertape is lost)
2. Diamond Dogs (Australian Single Edit) - 14 June 1974 Australian 7" single on RCA Victor 102462
3. Rebel Rebel (US Single Version) - the 'Phased' version released in the USA and Canada only as a 7" single on RCA Victor APBO-0287
4. Rock 'N' Roll With Me (Live - Promotional Single Edit) - October 1974 US 7" single on RCA Victor JB-10105 (stock copies are PB-10105)
5. Panic In Detroit (Live) - non-album B-side to the October 1974 US 7" single of Rock 'N' Roll With Me (Live)" on RCA Victor PB-10105 and the non-album B-side to "Knock On Wood (Live)" in the UK on RCA Victor RCA 2466 (released 13 September 1974)
6. Young Americans (Original Single Edit) - 21 February 1975 UK 7" single on RCA Victor RCA 2523
7. Fame (Original Single Edit) - 18 July 1975 UK 7" single on RCA Victor RCA 2579
8. Golden Years (Single Version) - 21 November 1975 UK 7" single on RCA Victor RCA 2640
9. Station To Station (Original Single Edit) - February 1976 French 'Factory Sample' 7" single on RCA Victor 42549
10. TVC 15 (Original Single Edit) - 30 April 1976 UK 7" single on RCA Victor RCA 2682
11. Stay (Original Single Edit) - July 1976 US 7" single on RCA PB-10736
12. Word On A Wing (Original Single Edit) - B-side to the July 1976 US 7" single of "Stay" on RCA PB-10736
13. John, I'm Only Dancing (Again) (1975) (Single Version) - 7 December 1979 UK 7" single on RCA BOW 4 (1972 song using the 'Gouster' soul mix from 1975)

VISUALS:
The visuals for this box are gorgeous - the 84-Page Hardback Book is a thing of fan-pleasing beauty and must have taken some serious proofreading (Compilers NIGEL REEVE and JO BLAIR will surely be up for awards). Others involved are HARRY WRENN-MELLECK and AISHA COHEN. Each album is given a full run-down by Original Producers Tony Visconti and Harry Maslin who add invaluable anecdotes on the recording process to the liner notes. In-between the text is wads of period photos, trade adverts, magazine repro's, album artwork and full musician/recording credits as well as release details. The individually pictured rare 7" single from around the world on the "Re: Call 2" CD compilation are given a page each and in-depth fan-obsessed detail provided.

The Repro Artwork for each album is crisp and all original inserts are present (even if the white paper sleeves for "Gouster" and "Re:Call 2" seem a tad superfluous). Each CD has a Japanese plastic protective which is a smart move - "David Live" comes with its two inners - the second "David Live" offers different inner sleeves - "The Gouster" has a lyric insert - "Young American" has its 'Fascination' insert advert for Bowie's RCA catalogue - the original white sleeve and withdrawn colour artwork for "Station To Station" are used for those two variants - the "Nassau Coliseum '76" double has no inners which is a bit of a cop out and the "Re:Call 2" set has both an inner and artwork from the 'YA' period. It’s all very tastefully done. Let's get to the music...

AUDIO:
RAY STAFF - who received such praise for the "Five Years" first box - is back again - aided in Transfers and Mastering by JOHN WEBBER and CICELY BALSTON at Air Mastering. I'd have to say that the aural results very much depend on the album you're listening too. You can't argue with the Disco-Rock wallop of "1984", the Glam Boogie of "Rebel Rebel" and the backwards guitars of "Sweet Thing" - but "Rock 'N' Roll With Me" still sounds strangely lacking and weedy. There's also a marked difference between "The Gouster" unreleased-album as opposed to the clearer polish that came with "Young Americans". But the live stuff sounds way better than I had expected it too - and I'm loving that cover of The Velvet's "Waiting For The Man" on the recently unearthed "Nassau" double.

MUSIC:
After the collective yawn that greeted the cover versions project "Pin Ups" in 1973 – I can recall the same applying to the decidedly patchy "Diamond Dogs" for 1974. The obvious winners "Rebel Rebel" and "1984" showed he still had it - but stuff like "Big Brother" and "Chant..." felt strangely devoid - like Bowie was reaching for change but not quite knowing what that direction was in.

I love his Soulful period and it's now obvious from this Box Set that the "Young Americans" album as released was a smarter move both visually and musically than the slightly odd "Gouster" line-up. I can't imagine David Bowie would ever have signed of on the rather dull mock artwork Parlophone present us with here - even though it's clever to have the lyric insert in the same typeface as the released "Young Americans" version. And three of the mixes are Previously Unreleased - "Right", "Can You Hear Me?" and "Somebody Up There Likes Me".

But it's also obvious that Bowie's allegiance to John Lennon gave us the unconvincing cover of The Beatles' "Across The Universe" when we could have had the magnificent "It's Gonna Be Me" from the "Gouster" sessions. This song alone has to be the best unreleased Bowie gem ever - stunning Soulfulness ably helped by the mixed backing singers which included Luther Vandross amongst their numbers. There’s also a better crispness to the YA released version of "Right" that The Gouster lacks while the seven-minute "John, I’m Only Dancing (Again)" is more Disco than edgy-funk and for me - too long and weedy (he was right to think that less was more when the single was eventually released as a Soulful cut in 1979). "Fame" was a co-write with John Lennon and Carlos Alomar and great Bowie single - here sounding like Talking Heads before the event. Another factor that should be acknowledged is the guitar of CARLOS ALOMAR whose sheer funkiness lifts every track.

That other forgotten LP nugget in Bowie's cannon is surely "Station To Station" - an album that seems to grow in stature as the years pass. "Stay" and the Johnny Mathis/Nina Simone cover of "Wild Is The Wind" are magnificent stuff - as are both the extended LP version of "Golden Years" (wah wah wah) and the Side 1 finisher "Word On A Wing". I'm not sure I needed the 2010 Harry Maslin Mix of the LP but I'm digging the live double "Nassau" and as a 70ts singles freak - finally getting all those 7" single edits and promo versions together in once place on the rather cool "Re: Call 2" exclusive CD set is a blast.

The 3rd Box Set will deal with his Berlin period - "Low", "Heroes", the live "Stage", "Lodger" and possibly "Scary Monsters" - the mere thought of which is liable to make many DB fans combust on the spot - or lose even more hair - or both.

In truth I find this second Box Set a strange mixture of the sublime and the superfluous - but that hasn’t stopped my admiration for this extraordinary artist – if anything DBX 2 has only deepened it. Chameleon, innovator, ahead of so many curves - what a loss his talent was... 

INDEX - Entries and Artist Posts in Alphabetical Order