“Women’s Love Rights/I Can’t Make It Alone/Two Sides Of Laura Lee…Plus” by LAURA LEE. A Review of the 2010 2CD Set on Edsel.

This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…If You Can Beat Me Rockin’ (You Can Have My Chair)…"

This superb 2CD overview of US soul singer Laura Lee was released January 2010 in the UK (February 2010 in the USA) on Edsel EDSD 2050 and is part of a series of reissues Edsel are doing to extensively cover Holland-Dozier-Holland's Invictus and Hot Wax labels. It features her 3 albums for H-D-H in their entirety, rare single sides as bonus tracks and much improved liner notes too. It breaks down as follows...

Disc 1 (71:29 minutes):
Tracks 1 to 10 are her entire album 1st album "Women's Love Rights", released November 1971 in the USA on Hot Wax HA 708
Tracks 11 to 16 are 6 of the 8 tracks from her 3rd album "I Can't Make It Alone", released 1974 in the USA on Invictus KZ 33133 (see Note below)
Track 17 is "Since I Fell For You", Mono Promo-Only Single Edit, 1974 on Hot Wax (no catalogue number)
Track 18 is "I Need It Just As Bad As You" (Unedited Version), originally on Deep Beats CD DEEPD 025

Disc 2 (55:07 minutes):
Tracks 1 to 10 are her entire 2nd album for the label "Two Sides Of Laura Lee", released 1972 on Hot Wax HA 714
Track 11 is "Crumbs Off The Table", USA 7" Single Re-Edit on Hot Wax HS 7210
Tracks 12 and 13 are the A&B sides of a 1973 USA 7" single on Hot Wax HS 7305 (both tracks are non-album)
Track 14 is "Since I Fell For You" (Mono Commercial Single Edit)

Note: Two tracks were duplicated on her 2nd and 3rd albums - they are "Every Little Bit Hurts" and "Crumbs Off The Table". Edsel have put them on Disc 2 in their proper sequence for the "Two Sides Of Laura Lee" album, however, if you want to sequence the 8 tracks of her 3rd album "I Can't Make It Alone" in proper order, then it runs as follows...
Side 1 is tracks 11 to 13 on Disc 1 + Track 3 on Disc 2
Side 2 is track 2 from Disc 2 + tracks 14 to 16 from Disc 1

Using the album cuts and the six bonus tracks across the 2CDs, you can now also sequence her entire US Hot Wax 7" singles output as follows...

1. "Wedlock Is A Padlock" b/w Her Picture Matches Mine", Hot Wax HS 7007, January 1971
2. "Women's Love Rights" b/w "Wedlock Is A Padlock", Hot Wax HS 7105, August 1971
3. "Love And Liberty" b/w "I Don't Want Nothing Old (But Money)", Hot Wax HS 7111, December 1971
4. "Since I Feel For You" b/w "I Don't Want Nothing Old (But Money)", Hot Wax HS 7201, February 1972
5. "Rip Off" b/w "Two Lovely Pillows", Hot Wax HS 7204, June 1972
6. "If You Can Beat Me Rockin' (You Can Have My Chair)" b/w "If I'm Good Enough To Love (I'm Good Enough To Marry)", Hot Wax HS 7207, October 1972
7. "Crumbs Off The Table" b/w "You've Got To Save Me", Hot Wax HS 7210, January 1973 [Note: A was originally a hit for The Glass House (another HDH act) in September 1969 on Invictus IS 9071]
8. "(If You Want To Try Love Again) Remember Me" b/w "If I'm Good Enough To Love (I'm Good Enough To Marry)", Hot Wax HS 7302, 1973
9. "I'll Catch You When You Fall" b/w "I Can't Hold Out Much Longer", Hot Wax HS 7305, 1973 [Note: both A&B are non-album tracks]

Remastered by PETER RYNSTON at TALL ORDER, the sound quality is great - alive and jumping out of your speakers. The 20-page booklet has very detailed liner notes by soul expert TONY ROUNCE who also provides photos of those rare 7" singles and LP labels - it's brilliantly informative and researched with both affection and care (his top class work features on most of Edsel's soul releases).

The music is upbeat floor-filling soul with a message of breaking free, standing up for yourself and street smarts. Track after track is great stuff. One of my all time favourites and a criminally forgotten gem is her declaration to other women about her loving prowess in the brilliantly funky single "If You Can Beat Me Rockin' (You Can Have My Chair)" - expect to see it in a movie any day now.

At less than six pounds on-line, this is a whole lot of great Seventies soul for not a whole lot of wedge (even as an import in other countries).

Superb - recommended.

“Inside The Glass House/Thanks I Needed That” by THE GLASS HOUSE. A Review of the 2010 Edsel 2CD set.

This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…Just As Long As You And I Are Together…"

This superlative mid-priced set gathers together two very rare albums by US soul group THE GLASS HOUSE issued on Holland-Dozier-Holland’s “Invictus Records” label in 1971 and 1972.
The 6 bonus tracks (non-album single sides) are just icing on an already very tasty cake. And the remastered sound quality is fabulous too. Here are the details…

Released March 2010 in the UK as a 2CD set, Edsel EDSD 2057 breaks down as follows:

Disc 1 (38:25 minutes):
Tracks 1 to 9 are their debut US album “Inside The Glass House” issued June 1971 on Invictus Records ST-7305. Tracks 10 to 12 are single sides

Disc 2 (46:37 minutes):
Tracks 1 to 11 are their second and last US album “Thanks I Needed That” issued October 1972 on Invictus ST-9810. Tracks 12 to 14 are single sides

Using the album cuts and the six bonus tracks across the 2CDs, you can sequence their entire US 7” singles output as follows…

1. “Crumbs Off The Table” b/w “Bad Bill Of Goods”, Invictus IS 9071, September 1969 (B-side is non-album)
2. “I Can’t Be You (You Can’t Be Me)” b/w “He’s In My Life”, Invictus IS 9076, June 1970 (both tracks are non-album)
3. “Stealing Moments From Another Woman’s Life” b/w “If It Ain’t Love (It Don’t Matter)”, 1971, Invictus IS 9082
4. “Touch Me Jesus” b/w “If It Ain’t Love (It Don’t Matter)”, June 1971, Invictus IS 9090
5. “Look What We’ve Done To Love” b/w “Heaven Is There To Guide Us”, September 1971, Invictus IS 9097
6. “Playing Games” b/w “Let It Flow”, January 1972, Invictus IS 9111 (Note: the B-side is Track 14 on Disc 2 – the “Single Version” – track 12 is the “Album” version)
7. “V.I.P.” b/w “It Ain’t The World (It’s The People In It)”, a solo single credited to SCHERRIE PAYNE, 1972, Invictus IS 9114 (B-side is non-album)
8. “Giving Up The Ring” b/w “Let It Flow”, 1972, Invictus IS 9118 (Note: 2nd issue of the “Single Version” of “Let It Flow”)
9. “Thanks I Needed That” b/w “I Don’t See Me In Your Eyes Anymore”, October 1972, Invictus IS 9129

Remastered by PETER RYNSTEN at TALL ORDER, the sound quality is blisteringly good – alive and jumping out of your speakers with no real compression. The 20-page booklet has very detailed liner notes by soul expert TONY ROUNCE who also provides photos of those rare 7” singles – it’s brilliantly informative and researched with both affection and care (his top class work features on most of Edsel’s soul releases).

The Glass House had two uniquely great lead singers, Tyrone “Ty” Hunter and Scherrie Payne (sister of Freda Payne and later a member of The Supremes) who often shared duet vocals. The music is catchy H-D-H soul, bright, poppy and aimed squarely at the charts and your feet. Highlights are many as one infectious tune follows another – the lovely “If It Ain’t Love (It Don’t Matter)” is typical – misery in an upbeat way (lyrics above). Even the religious message songs are excellent especially “Heaven Is There To Guide Us” which sounds not unlike The Chi-Lites at their best.

It’s an embarrassment of soul riches really – and Edsel are to be praised for releasing it. Ace stuff and recommended.

"The 8th Day…Plus… + I Gotta Get Home…Plus" by THE 8TH DAY (September 2009 Edsel 2CD Retrospective Remasters) - A Review by Mark Barry...

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"...I've Got A Story To Tell You..."

After the song-writing partnership of Holland-Dozier-Holland (Edward-Lamont-Brian) left Motown in the late Sixties, they set up the INVICTUS and HOT WAX labels in the States featuring hot new soul acts like Chairman Of The Board, Freda Payne, Parliament, The Honey Cone, Ruth Copeland, Laura Lee etc.

Part of a slew of UK releases covering all those acts and both of those labels (see list below) - "The 8th Day...Plus + I Gotta Get Home...Plus" by THE 8TH DAY on Edsel ESCD 2068 (Barcode 740155206635) is a superbly presented 2CD Anthology of the H-D-H band fronted by the fantastically expressive vocals of MELVIN DAVIS.

This UK September 2009 remastered 2CD set gathers up both of their rare early Seventies albums, non-album single sides and other related tracks and play out as follows...

Disc 1 (48:26 minutes)

1. She's Not Just Another Woman

2. You've Got To Crawl (Before You Walk)

3. Too Many Cooks (Spoil The Soup)

4. La-De-Dah

5. Eeny-Meeny-Miny-Mo (Three's A Crowd)

6. Just As Long

7. I Can't Fool Myself

8. I'm Worried

9. I've Come To Save You

Tracks 1 to 9 is their debut US album "The 8th Day", April 1971 on Invictus ST 7306

Tracks 10 is "She's Not Just Another Woman", April 1971 USA 7" single mix on Invictus IS 9087 (it's B-side is the album track "I Can't Fool Myself" - Track 7)

Track 11 is "Eeny-Meeny-Miny-Mo (Instrumental)" - it turns up re-titled as "Get Your House In Order" which was issued in 1974 as the instrumental B-side to "Sittin' On A Time Bomb (Waitin' For The Hurt To Come)" by LEE CHARLES on Invictus ZS7 1260 (both tracks were non-album)

Tracks 12 and 13 are "If I Could See The Light In The Window" and "(If I Could See The Light In The Window (Instrumental)", Non-Album A&B of their 3rd US 7" single released December 1971 on Invictus IS 9107

Disc 2 (50:36 minutes):

1. I Gotta Get Home (I Can't Let My Baby Get Lonely)

2. Cheba

3. Good Book

4. Anything

5. Rocks In My Head

6. Faith

7. Get Your Mind Straight

8. Heaven Is There To Guide Us

Tracks 1 to 8 is their 2nd US album "I Gotta Get Home (I Can't Let My Baby Get Lonely)", April 1972 on Invictus ST 9809

Track 9 is "You Made Me Over", a 1973 USA 7" solo single by MELVIN DAVIS on Invictus ZS7 1259

Tracks 10 and 11 are "I'm Worried (Single Edit)" and "Just As Long (Single Edit)", non-album shortened versions of tracks from "The 8th Day" LP issued in 1972 as a MELVIN DAVIS solo single on Invictus IS 9115

Track 12 is "It's Instrumental To Be Free", a non-album B-side to "You've Got To Crawl (Before You Walk)" issued September 1971 on US 7" single Invictus IS 9098

Track 13 is "Free Your Mind" - it's a remix of "It's Instrumental To Be Free" (Track 12) and it appeared as the B-side of the UK 7" single "Love Machine" by THE POLITICIANS on Hot Wax HWX 114

The 16-page booklet has affectionate and informative liner notes by noted British soul lover and expert TONY ROUNCE while the remastered sound by ALCHEMY is warm, clear and gorgeous to the ear (surprisingly free of hiss).

Their debut album opens with a lethal one-two sucker punch - "She Not Just Another Woman" and "You Gotta Crawl (Before You Walk)" - 20 seconds into either and you're hooked. It's easy to see why both reached number 3 on the US R'n'B charts in 1971. This is truly fabulous Seventies soul with one foot still in the Sixties vibe; it's The Temptations - it's Stevie - it's Jackie Wilson on Brunswick with a little RCA Sam Cooke thrown in. It sounds like a reinvigorated Motown hit-making machine with a point to prove - the arrangements, the tight band, the wonderful brass fills that make your feet tap - all topped by the killer vocals of Northern Soul favourite MELVIN DAVIS (who toured as recently as Summer 2009 to rapturous applause by soul lovers hungry for the real deal). Then just as you're about to pigeonhole The 8th Day as a H-D-H singles-machine, you get the stunning seven and a half minutes of "Just As Long" - as lovely a soul ballad as you're ever likely to hear - that starts out almost as an instrumental and then builds - so sweet.

Niggles - the liner notes for Disc 2 have IS 9098 as 9090 and IS 9115 as 9117 - both miscredited in the booklet - and collectors will know that there's a 7" single edit of "You Gotta Crawl" which lops off 15 seconds from the album version that could have been put on here, but it's a minor exclusion.  Besides - prior to the availability of the Net - and as someone who's worked in second-hand records shops for nearly 20 years - I can count on one hand the number of times I've actually seen copies of these rare US LPs and singles.  What a treat to have them all finally presented to us - and in such a cool way too.

Great stuff Edsel - love it, love it, love it - recommended big time.

PS: other titles in this series are:

1. CHAIRMEN OF THE BOARD - Give Me Just A Little More Time Plus... (Featuring bonus albums by GENERAL JOHNSON and HARRISON KENNEDY) (Edsel EDSD 2053, 2CDs)

2. CHAIRMEN OF THE BOARD - Bittersweet + Skin I'm In + Bonus Album by DANNY WOODS Aries  (Edsel EDSD 2055, 2CDs)

3. RUTH COPELAND - Self Portrait + I Am What I Am albums Plus... (Edsel EDSD 2067, 2CDs)

4. HOLLAND-DOZIER-HOLLAND - Love & Beauty - The Complete Invictus Masters (Edsel EDSD 2056, 2CDs)

5. PARLIAMENT - Osmium Plus... (Edsel EDSS 1031, 1CD)

6. FREDA PAYNE - Band Of Gold + Contact  + The Best Of + Reaching Out (Edsel EDSD 2054, 2CDs)

PPS: for those who want to go deeper into the Invictus and Hot Wax labels, Sequel Records of the UK released a huge number of related CDs in 1999 featuring artists not covered in this 2009 reissue series - some of those names are 100 Proof Aged In Soul, Flaming Ember, The Politicians, The Glass House, Barrino Brothers, Eloise Laws and several cool Various Artist compilations like "Invictus Chartbusters"

“TAMLA MOTOWN – The Stories Behind The UK Singles” – A Review of the 2009 Paperback Book by TERRY WILSON.

“…And The Lord God Looked Down On Motown in Detroit And Verily Thought…I Must Set Up A British Branch…”

Did you know that following the departure of his principal hit-writers Holland Dozier and Holland, Berry Gordy wanted to reinstate the Supremes as a number act after a year of dullard releases, so he locked all his remaining writers in a hotel room and told them they weren't coming out until they penned a winner for his wife. They promptly raided the hotel bar and got completely pissed in retaliation. But the following morning they threw out the number one hit "Love Child" anyway. Or that Stevie Wonder's manager sang his newly released "Higher Ground" single into his ear in 1973 as Stevie lay dying on a hospital bed having had a freak accident where a huge log crashed through his windscreen and into his skull - and it brought him back. Or did you know that the original version of Marvin Gaye's masterpiece "What's Going On" had a question mark removed from the end of the title - so that you didn't know whether he was asking a question or making a statement? Neither did I...

A book like this is a treasure trove of such juicy trivia, but it wouldn't amount to more than a long list of staid statistics if the rest of the text weren't imbibed with wit, affection and a genuine thirst for knowledge and understanding - on every single entry. Americans know that Brits are soul mad, but this book proves it like no other. There's stuff in here that even the guys who wrote the music don't know about!

First, in order to convey just how deep this work goes, let's get to the details.

It's a tall paperback with over 700 pages. The 72 singles from 1959 to mid 1965 issued on London (4), Fontana (4), Oriole (19) and Stateside (45) are all here - each given an individual essay on their release and history. Topping the essay over each single is other relevant info - Timing, Writers, Producers, Recording Date, UK Release Date, B-side, UK Chart Position, US catalogue number, US release date and finally the US chart position attained in both Billboard's Pop and R&B charts.

The two-word 'Tamla Motown' identity was started by Gordy specifically to deal with UK issues (it was either the single word 'Motown', 'Tamla' or 'Gordy' in the USA). Its first 7" single release came in March 1965 on TMG 501 - The Supremes' "Stop! In The Name Of Love". While it topped the charts in the States, it made Number 7 in the UK (the title was a remark made by a producer to his argumentative girlfriend). From this point on page 68, the releases stretch all the way to page 606 and the February 2006 release of Stevie Wonder's "From The Bottom Of My Heart" on TMG 1513. Every single one!

This is then followed by the ARTIST SUMMARY section - which gives you their releases at a glance - 1 for Jerry Butler and 9 for The Commodores and so forth - very handy. There's then a section on STATISTICS, FACTS and FEATS; followed by AN ALPHABETICAL LIST OF TRACKS; followed by a section on MOTOWN EPs and 12" SINGLES. Then there's a section on the off-shoot labels, Rare Earth, Mo-West and Gaiee labels...and a COLLECTORS section dealing with label bags, different texts, matrix numbers etc. and finally a REFERENCES section that in itself goes on for pages.

Some entries are long - "Tears Of A Clown" by SMOKEY ROBINSON & THE MIRACLES (an instrumental first presented to Smokey by Stevie Wonder at a Christmas party), others are short because they deserve to be "A Little Bit For Sandy" by PAUL PETERSEN (a child actor originally on The Donna Reed Show) - it was produced by R DEAN TAYLOR and sank without a trace. The social consciousness period of Norman Whitfield's 1970s productions (Temptations, Undisputed Truth) I found fascinating and full of amazing info. In fact I can't imagine the thousands of hours it must have taken to assemble all this information, cross check every entry and then present the whole lot in an interesting way. His assessment of Marvin's "What's Going On" as a song that "says so little, yet means so much to so many people..." is both insightful and true.

I would say - however - that a very real down point is the complete lack of visuals. There should have been 10 or 12 pages of colour pictures, label variations, rare picture sleeves, early issues - but maybe on the next run.

Also, I went into 5 West End book stores and none had it for sale let alone knew of its existence - and Cherry Red books need to address that pronto - because it's criminal to see a book of this stature go unnoticed - reviewed online by some Irish nutter in a second-hand record shop in London. I would also prep a 'download' version for the net with better front artwork and a slew of picture pages from collectors with a far cheaper price to make it more accessible.

Those minor nitpicks aside, both Cherry Red and the author are to be congratulated for this wonderful tome.

I can tell you now with all confidence that even as Moses was parting the Red Sea with the sound of hooves and chariots in his shell-likes, he was secretly thinking, I can't wait for 2009 and Terry Wilson's detailed book about Tamla Motown in England...

To say I'm impressed folks is like saying the Sistine Chapel is an ok painting.

Well done to all concerned - and recommended the most.