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Showing posts with label Geoff Emerick. Show all posts
Showing posts with label Geoff Emerick. Show all posts

Friday 25 February 2011

“No Dice” by BADFINGER (2010 Apple 'Expanded Edition' CD Remaster) - A Review by Mark Barry...




"...Knock Down The Old Grey Wall...Be A Part Of It All..."

Monday 25 October 2010 in the UK saw 14 of the 'Apple' label albums remastered and reissued (see list below) - alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" (named after a huge BADFINGER hit penned by Paul McCartney specifically for the band). This zippy little expanded CD reissue of their 2nd album "No Dice" is one of them.

Apple 5099990580727 breaks down as follows (57:42 minutes):

1. I Can't Take It
2. I Don't Mind
3. Love Me Do
4. Midnight Caller
5. No Matter What
6. Without You
7. Blodwyn
8. Better Days
9. It Had To Be
10. Watford John
11. Believe Me
12. We're For The Dark
Tracks 1 to 12 are the Stereo LP "No Dice" by BADFINGER released 27 November 1970 in the UK on Apple SAPCOR 16 and on Apple SKAO-3367 in the USA (it reached number 28 on the American Billboard Top 100). Note: "Love Me Do" is not Beatles cover but a Joey Molland original and "Without You" is the song made famous by NILSSON (Number 1 in the UK in February 1972).

Tracks 13 to 17 are all previously unreleased and exclusive to this 2010 reissue:
13. "I Can't Take It" is an Extended Version - 4:14 as opposed to 2:55minutes
14. "Without You" is a Studio Demo Version
15. "Photograph (aka "Friends Are Hard To Find')" is a Previously Unreleased Version
16. "Believe Me" is an Alternate Version
17. "No Matter What" is a Studio Demo Version

Requiring extra payment there are also 2 more tracks available via Digital Download from iTunes or Amazon - an Instrumental Version of "Love Me Do" and an Extended Stereo Version of "Get Down" (see either site for details).

BOOKLET/PACKAGING:
The gatefold sleeve of the original vinyl LP is reproduced while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are 4 superb colour portraits of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
The original album was produced by GEOFF EMERICK of Beatles/Abbey Road fame (except for "No Matter What", "Believe Me" and the bonus tracks from 14 through to 17 which were produced by MAL EVANS). Unlike so many of the sessions of the time, the recordings 'didn't' include a number of The Beatles and their talented friends - so the band got to shine all by themselves.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters have done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

The album opens strongly with a Pete Ham original "I Can't Take It" - rocking guitars and pumping brass - it sounds really great. It's followed by the Big Star feel of "I Don't Mind" co-written by Tom Evans and Joey Molland - a song that starts out gently and then builds into an impressive melodious tune - it's excellent. Not so I'm afraid with "Love Me Do" (no relation to The Beatles song) - it's a poor man's rocker and doesn't really work. But then you're hit with a double-whammy of Badfinger excellence - "Midnight Caller" and the sublime "No Matter What" (lyrics above). Both stand the test of time - especially "No Matter What" - surely a contender for a Top Ten position in the list 'best 7" single ever released'.

"Without You" would of course be taken by NILSSON and transformed into one of the most extraordinarily powerful cover versions ever made. I heard in a car on the radio a few weeks back in the early morning on the way into work - and to this day it moves me - its opening chords still capable of calling up a shivering memory. "Blodwyn" is a ditty while the excellent "Better Days" turned up as the B-side to the UK 7" single of "No Matter What" (Apple 31) in November 1970 - they used "Carry On Till Tomorrow" as the B on the USA 7" (Apple 1822) - a track off their debut album "Magic Christian Music". The Mike Gibbins penned "It Had To Be" is a lovely song, while the band-composed "Watford John" is a rocker written about an Apple Studio Engineer called John Smith. The last two on the album are huge favourites among fans - Tom Evans' sweet "Believe Me" and Pete Ham's acoustic "We're For The Dark" - accomplished playing, melody builders - both define that certain 'Badfinger' sound. They end the album proper on a definite musical high note.

But like the other issues in this series, the best seems to be kept until last. Having grown used to the short album cut of "I Can't Take It" - I must say that I love the way it's spread out more on the fantastically rocking 'Extended Version'. You can see why it was cut, but in 2010 I'll take the 'indulgent' version any day of the week. Then fellows the 'Demo' of "Without You" which I find more affecting than the finished track - more akin to what Nilsson did with it - it's a gem. "Photograph" is a rough rock song - it's good, but it's eclipsed big time by a sweet-as-honey Alternate Take of "Believe Me" with more Piano and Electric Guitar - what a treat. The 'Demo' of "No Matter What" is close to the finished track, but without that killer electric guitar that made it. I must say that the bonus tracks are impressive rather than being superfluous. Very, very good indeed...

Niggles - the 2 download tracks will be desirable to fans and making them pay extra dollars for them via Download is cheapskate and crappy - and as you can see from the playing time above, there was plenty of room to include them on here (they're available as hardcopy on the double-CD that comes with the "Apple Box Set"). The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). They're minor points I know, but they're worth making...

One star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight. I'd say that if you're coming to them cold in 2014 then it's probably somewhere in between. But fans will see it differently - they will eat this reissue up big time. To sum up - I still see "No Dice" as a great album - with songmanship that shines through even now. And they repeated that craft and warmth on their next album "Straight Up" too.

Recommended - especially given the massive improvement in sound quality and those shockingly good bonus tracks.

The October 2011 Apple CD Remasters are (I've reviewed most):
1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree / Space - THE MODERN JAZZ QUARTET (1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale / Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

Thursday 11 November 2010

"Straight Up" by BADFINGER (October 2010 Apple 'Expanded Edition' CD Remaster) - A Review by Mark Barry...


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"...A Game We've Been Playing For So Long..."

Monday 25 October 2010 in the UK saw 14 of the 'Apple' label Sixties and Seventies albums remastered and reissued (see list below) - alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" (named after a huge BADFINGER hit penned by Paul McCartney specifically for the band). This zippy little expanded CD reissue of their 3rd album "Straight Up" is one of them.

UK released October 2010 - "Straight Up" by BADFINGER on Apple 5099964244020 is an 'Expanded Edition' CD Remaster and breaks down as follows (61:50 minutes):

1. Take It All
2. Baby Blue
3. Money
4. Flying
5. I'd Die Babe
6. Name Of The Game
7. Suitcase
8. Sweet Tuesday Morning
9. Day After Day
10. Sometimes
11. Perfection
12. It's Over
Tracks 1 to 12 are the Stereo LP "Straight Up" released late December 1971 in the USA on Apple SW-3387 and 4 February 1972 on Apple SAPCOR 19 in the UK (it reached number 31 on the American Billboard Top 100).

Tracks 13 to 18 are bonus tracks exclusive to this 2010 CD reissue:
13. "I'll Be The One" is a band composition that was once muted as a possible UK Apple single (no number allocated), but never released
14. "Name Of The Game" (a Pete Ham song) was also considered for a single (Apple 35), but again never issued
15. "Baby Blue" (a Pete Ham song) was also considered for a UK single (Apple 42), but again withdrawn. It was, however, released in the USA on Apple 1844 in April 1972 and rose to number 14 on the Billboard charts. With added reverb on the drums, it's presented here as the `US Single Mix' - its B-side is the album track "Flying"
16. "Baby Please" (Pete Ham/Joey Molland/Mike Gibbins song) is previously unreleased
17. "No Good At All" (Tom Evans song) is previously unreleased
18. "Sing For The Song" (Tom Evans song) is previously unreleased

Requiring extra payment, there are also 7 more tracks available via Digital Download from iTunes or Amazon - "Money (Earlier Version)", "Flying (Earlier Version)", "Perfection (Earlier Version)", "Suitcase (Earlier Version)", "Sweet Tuesday Morning (Earlier Version)", "Mean Mean Jemima" and "Loving You"  (see either site for cost details).

BOOKLET/PACKAGING:
The front & rear of the original vinyl LP sleeve is reproduced on the gatefold card sleeve, while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are black & white studio shots of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
Studio wizard TODD RUNDGEN famously produced the album except for "I'd Die, Babe", "Name Of The Game" and "Suitcase" - these had GEORGE HARRISON at the controls (he also played Guitar on "I'd Die, Babe"). The `bonus tracks' were produced by GEOFF EMERICK of Beatles/Abbey Road fame - except for "Baby Blue (US Single Mix)" which was Rundgren.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters has done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

Their 2nd album "No Dice" from 1970 is a gem, but Badfinger surpassed even that with "Straight Up" - leagues ahead of their patchy 1969 debut both in terms of songwriting quality and sheer polish. This is immediately evident on the two Pete Ham openers - "Take It All" and "Baby Blue" - the Todd Rundgren production values on the guitars and drums now so clear. "Money" with its "buys you freedom" lyrics has great chunky guitars and harmony vocals, while "Flying," sounds not unlike 10cc circa "The Original Soundtrack". The liner notes tell us that Beatle George was literally dancing in the studio during the recording of "I'd Die, Babe" - it's easy to hear why - it's a catchy little ditty and similar to own songwriting style.

Joey Molland's keyboard funk of "Suitcase" opened Side 2 of the original album and talks of the weariness of being on the road forever without too much success (lyrics above). The lovely America-type acoustic tune "Sweet Tuesday Morning" follows - it was the B-side to the only single issued off the album in the UK ("Day After Day" - 7 January 1972 on APPLE 42). But then you're hit with a triple-whammy of Badfinger songwriting excellence - "Day After Day", "Sometimes" and "Perfection". All three offer up different facets of the band's capabilities - the lovely "Day After Day" is essentially a mid-tempo ballad from Pete Ham and that it wasn't a huge UK chart hit is sort of inexplicable, "Sometimes" is a Joey Molland rocking gem that sounds like The James Gang on a roll, while the thinking man's strum of "Perfection" comes closest to that Big Star comparison of out-and-out genius. As if that isn't enough, you get superb guitar playing on the Tom Evans album finisher "It's Over" - it's all so shockingly good, it really is. And like almost all of the releases in this series, the bonus tracks are impressive too rather than being superfluous. Very, very good indeed...

Niggles - in order to give a fuller review, I paid for the extra 7 download alternate versions - and typically their quality is superb - must haves. I burned them onto a CD-R and they clocked in at 23:59 minutes - when you add that onto 61:50, you see that they could all have easily fitted onto 1CD. I've Bear Family titles that regularly push past 85 minutes with no deterioration in sound, so it's a crappy scam to have us fork out seven more pounds for versions EMI know fans will want - and badly. The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). The packaging issues are minor points I know, but this otherwise brilliant reissue is docked a star for creaming fans on the download front.

One Star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight (most of the first album and bits of the second). You will not call them the latter after hearing "Straight Up" - it's a crafted gem.

To sum up - recommended - especially given the brilliance of the album itself, the massive improvement in sound quality and those shockingly good bonus tracks. Shame about those downloads though...

The October 2011 Apple CD Remasters are (I've reviewed most):
1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree / Space - THE MODERN JAZZ QUARTET (1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale / Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

Tuesday 9 November 2010

“No Dice” by BADFINGER. A Review Of Their 2nd Album For The Beatles Apple Label in 1970 – Now Reissued Onto A 2010 Extended CD.


"...Knock Down The Old Grey Wall...Be A Part Of It All..."

Monday 25 October 2010 in the UK saw 14 of the 'Apple' label albums remastered and reissued (see list below) - alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" (named after a huge BADFINGER hit penned by Paul McCartney specifically for the band). This zippy little expanded CD reissue of their 2nd album "No Dice" is one of them.

Apple 5099990580727 breaks down as follows (57:42 minutes):

1. I Can't Take It
2. I Don't Mind
3. Love Me Do
4. Midnight Caller
5. No Matter What
6. Without You
7. Blodwyn
8. Better Days
9. It Had To Be
10. Watford John
11. Believe Me
12. We're For The Dark
Tracks 1 to 12 are the Stereo LP "No Dice" by BADFINGER released 27 November 1970 in the UK on Apple SAPCOR 16 and on Apple SKAO-3367 in the USA (it reached number 28 on the American Billboard Top 100). Note: "Love Me Do" is not Beatles cover but a Joey Molland original and "Without You" is the song made famous by NILSSON (Number 1 in the UK in February 1972).

Tracks 13 to 17 are all previously unreleased and exclusive to this 2010 reissue:
13. "I Can't Take It" is an Extended Version - 4:14 as opposed to 2:55minutes
14. "Without You" is a Studio Demo Version
15. "Photograph (aka "Friends Are Hard To Find')" is a Previously Unreleased Version
16. "Believe Me" is an Alternate Version
17. "No Matter What" is a Studio Demo Version

Requiring extra payment there are also 2 more tracks available via Digital Download from iTunes or Amazon - an Instrumental Version of "Love Me Do" and an Extended Stereo Version of "Get Down" (see either site for details).

BOOKLET/PACKAGING:
The gatefold sleeve of the original vinyl LP is reproduced while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are 4 superb colour portraits of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
The original album was produced by GEOFF EMERICK of Beatles/Abbey Road fame (except for "No Matter What", "Believe Me" and the bonus tracks from 14 through to 17 which were produced by MAL EVANS). Unlike so many of the sessions of the time, the recordings 'didn't' include a number of The Beatles and their talented friends - so the band got to shine all by themselves.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters have done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

The album opens strongly with a Pete Ham original "I Can't Take It" - rocking guitars and pumping brass - it sounds really great. It's followed by the Big Star feel of "I Don't Mind" co-written by Tom Evans and Joey Molland - a song that starts out gently and then builds into an impressive melodious tune - it's excellent. Not so I'm afraid with "Love Me Do" (no relation to The Beatles song) - it's a poor man's rocker and doesn't really work. But then you're hit with a double-whammy of Badfinger excellence - "Midnight Caller" and the sublime "No Matter What" (lyrics above). Both stand the test of time - especially "No Matter What" - surely a contender for a Top Ten position in the list 'best 7" single ever released'.

"Without You" would of course be taken by NILSSON and transformed into one of the most extraordinarily powerful cover versions ever made. I heard in a car on the radio a few weeks back in the early morning on the way into work - and to this day it moves me - its opening chords still capable of calling up a shivering memory. "Blodwyn" is a ditty while the excellent "Better Days" turned up as the B-side to the UK 7" single of "No Matter What" (Apple 31) in November 1970 - they used "Carry On Till Tomorrow" as the B on the USA 7" (Apple 1822) - a track off their debut album "Magic Christian Music". The Mike Gibbins penned "It Had To Be" is a lovely song, while the band-composed "Watford John" is a rocker written about an Apple Studio Engineer called John Smith. The last two on the album are huge favourites among fans - Tom Evans' sweet "Believe Me" and Pete Ham's acoustic "We're For The Dark" - accomplished playing, melody builders - both define that certain 'Badfinger' sound. They end the album proper on a definite musical high note.

But like the other issues in this series, the best seems to be kept until last. Having grown used to the short album cut of "I Can't Take It" - I must say that I love the way it's spread out more on the fantastically rocking 'Extended Version'. You can see why it was cut, but in 2010 I'll take the 'indulgent' version any day of the week. Then fellows the 'Demo' of "Without You" which I find more affecting than the finished track - more akin to what Nilsson did with it - it's a gem. "Photograph" is a rough rock song - it's good, but it's eclipsed big time by a sweet-as-honey Alternate Take of "Believe Me" with more Piano and Electric Guitar - what a treat. The 'Demo' of "No Matter What" is close to the finished track, but without that killer electric guitar that made it. I must say that the bonus tracks are impressive rather than being superfluous. Very, very good indeed...

Niggles - the 2 download tracks will be desirable to fans and making them pay extra dollars for them via Download is cheapskate and crappy - and as you can see from the playing time above, there was plenty of room to include them on here (they're available as hardcopy on the double-CD that comes with the "Apple Box Set"). The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). They're minor points I know, but they're worth making...

One star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight. I'd say that if you're coming to them cold in 2014 then it's probably somewhere in between. But fans will see it differently - they will eat this reissue up big time. To sum up - I still see "No Dice" as a great album - with songmanship that shines through even now. And they repeated that craft and warmth on their next album "Straight Up" too.

Recommended - especially given the massive improvement in sound quality and those shockingly good bonus tracks.

The October 2011 Apple CD Remasters are (I've reviewed most):
1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree / Space - THE MODERN JAZZ QUARTET (1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale / Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

Sunday 13 September 2009

“Revolver” by THE BEATLES. A Review of their 1966 Masterpiece Now Ressiued On A 2009 Enhanced Remastered CD.



"…The Day Breaks…Your Mind Aches…"


Did you know that the Beatles don't actually play an instrument on "Eleanor Rigby" (it's a six string ensemble with Paul's vocals)? Or that George Martin plays the piano on "Good Day Sunshine"? Or that George Harrison doesn't play Sitar on "Love You To" (it was a session man) but does on "Tomorrow Never Knows? Did you know that the stereo catalogue number for the original British LP of "Revolver" on which this CD is based is Parlophone PCS 7009?

Well you do now!

All insufferable smartarse remarks aside - why do I mention this - because you're not going to learn any of these interesting and relevant facts from the woefully weak booklet that accompanies this CD...

Let's get this straight from the start – THE SOUND ON THIS 9 Sept 2009 REMASTER OF "REVOLVER" IS MAGNIFICENT - it really is - and for many people that will be enough. But for fans that have waited 22 years for EMI to get this right, the description of this CD reissue as being endowed with 'deluxe packaging' is frankly laughable.

I mean only EMI could forget to include the album's original catalogue number! Or how about supplying the lyrics (too much like hard work boys) or an interview with the Producer George Martin, the engineer Geoff Emerick? Or how about picturing the differing worldwide picture sleeves that accompanied the singles that came off the album? Or even adhering to the original issue of the LP for God's sake! With a playing time of 34:47 minutes and plenty of room, where's the MONO mix as it was originally released? The laughable "historical notes" last 2 whole pages - the recording notes a page and a half - the rest is pointless pictures of the boys that give absolutely no sense of event or any knowledge of the album and its monumental impact. The three-way card digipak is pretty - it is - but it has a matt cover and the second you get it out of the shrink-wrap it starts to mark and pick up grease. Infuriatingly, the BEATLES in MONO box set has the REPRO BRITISH LP SLEEVE in all its laminated hard-card flip-back rear-sleeve glory - a far sturdier and prettier effort - but it's £200 to acquire such a privilege (if you can find one)!

I know it's a bit of a cliché to whine on about packaging, but can you imagine what Ace Records of the UK, Bear Family of Germany, Rhino of the USA or Raven of Australia (proper reissue labels) would have done to a catalogue of this importance and stature? They would have shown this extraordinary band and one of its greatest recorded achievements the respect and affection it deserves - instead you get the distinct feeling of a corporate organisation just doing what it can get away with (there's no download variant of it available as yet either). Four years prepping this! Four years doing what? Picking their noses!

But let's get back to the music.

"Revolver" (their 7th album) was originally released 5 August 1966 in the UK on both Parlophone PMC 7009 Mono and PCS 7009 Stereo. The American issue followed 3 days later on Capitol T-2576 Mono and ST-2576 Stereo. The UK issue had 14 tracks, the US had 11 - the three missing from the American issue were "And Your Bird Can Sing", I'm Only Sleeping" and "Dr. Robert" which had appeared on the June 1966 US album "Yesterday And Today". This issue follows the UK release with the full compliment of 14. The CD label also reflects the black and yellow lettering of the original British LP, as does the rear cover artwork, which advertises the use of an "Emitex" record cleaning cloth! The enhanced CD track called "Mini Documentary" (broadcast last weekend on the BBC preceding the worldwide release of their catalogue) is largely black & white in-studio shots featuring the voices of the Fabs and George Martin discussing songs and techniques on the album - it's directed by BOB SMEATON and is nice, but disappears way too fast (and we've already seen it). There's a link to the official website, but naught else of any real worth... So the supposed bonus track turns out to be two and half minutes of video footage we've already seen and something EMI has blatantly used as a sales device!

Sound - hearing this 2009 remaster is a SONIC BLAST from start to finish. Both GUY MASSEY and STEVE ROOKE have remastered the first generation stereo master tapes and to say they've done a good job is like saying the Great Wall of China is an o.k. building project! Their work here is fabulous – monumental almost - it really is. The sound quality is glorious throughout - clear, warm, detailed - every single track a revelation. My only complaint would be that some songs are very loud - "Got To Get You Into My Life" and "Here, and There & Everywhere" in particular, but George Martin produced them that way. The hiss level is barely audible on any of the songs, but what is subtly audible now is the new instrument flourishes you can hear almost everywhere. The brilliant Harrison guitar playing on the New York Drug Pusher song "Dr. Robert" is at last to the fore, the lone horn work of ALAN CIVIL on "For No One" is suddenly so pretty, while Ringo's superlative drumming on "Tomorrow Never Knows" is now absolutely huge to a point where the clarity and sheer whack of the remaster brought me to tears. If you love this record, you're in for a treat.

So there you have it - an absolute wow 10-out-of-10 on the sound front - but could have done so much better on the rest.

But my God - what a band - and what a recorded legacy they left behind. Float downstream indeed folks...

Recommended - despite little old pacifist me wanting to threaten the pencil pushers at EMI with physical violence...

I need to get out more...

INDEX - Entries and Artist Posts in Alphabetical Order