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Showing posts with label Big Break Records. Show all posts
Showing posts with label Big Break Records. Show all posts

Monday 25 November 2019

"Turnin' On" by HIGH INERGY - Album from 1977 on Gordy (USA) and Tamla Motown (UK) (August 2014 Big Break Records 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...





This Review Along With Over 300 Others Is Available in my
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HIGHER GROUND
SOUL, FUNK and JAZZ FUSION 
Exceptional CD Reissues and Remasters  
Just Click Below To Purchase for £6.95
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"…In The Middle Of Turning Me On…"

The four all-singing, all-dancing Mitchell sisters from Pasadena in California that made up HIGH INERGY were touted at the time by none other than Motown Head Honcho himself Berry Gordy as America's 'new' Supremes. And with songwriters like James Ingram, Bobby Womack, Al Willis and Clay Drayton lining up the catchy tunes – they certainly had what it took to put their debut album to the No. 6 slot in the American R&B charts (No. 28 in Pop).

And this typically superb sounding CD reissue by Britain’s BBR (Big Break Records) of their 1977 Motown debut will give fans the perfect excuse to indulge one more time. Here are the hi steppin' details…

Released 25 August 2014 in the UK (7 October in the USA) – "Turnin' On" by HIGH INERGY on Big Break Records CDBBRX 0304 (Barcode 5013929060432) is an 'Expanded Edition' CD Reissue and Remaster with Two Bonus Tracks that plays out as follows (43:05 minutes):

1. Love Is All You Need [Side 1]
2. You Can't Turn Me Off (In The Middle Of Turning Me On)
3. Some Kinda Magic
4. Searchin' (I've Got To Find My Love)
5. Ain't No Love Left (In My Heart For You) [Side 2]
6. Let Me Get Close To You 
7. Save It For A Rainy Day
8. Could This Be Love
9. High School
Tracks 1 to 9 are the album "Turnin' On" – released October 1977 in the USA on Gordy G6-978S1 and December 1977 in the UK on Tamla Motown STML 12074

BONUS TRACKS: 
9. You Can't Turn Me Off (In The Middle Of Turning Me On) (Single Version)
10. Love Is All You Need (Single Version)

SINGLES: Using the two bonuses and Tracks 7 and 3 - this BBR CD release will allow fans to sequence High Inergy's two US and UK 7" singles from the album as follows:

1. "You Can't Turn Me Off (In The Middle Of Turning Me On)" b/w "Let Me Get Close To You" - August 1977 on Gordy G-7155F in the USA and October 1977 on Tamla Motown TMG 1087 in the UK
2. "Love Is All You Need" b/w "Some Kinda Magic" - January 1978 on Gordy G-7157F in the USA and March 1978 on Tamla Motown TMG 1103 in the UK

The 12-page booklet has colour photos of the sisters, rare American picture sleeves, label facsimiles and liner notes by RICO 'Superbizzee' WASHINGTON (as well as album credits). But the big news as always with BBR is a KEVIN REEVES and NICK ROBBINS remaster from Universal tapes and it sounds just amazing – clear, punchy and full of life.

Highlights include steppers like "Love Is All You Need" and the sexy slink of "You Can't Turn Me Off…" - while "Let Me Get Close To You" is a Supremes-type smoocher (written by Faye Usher). James Ingram makes his songwriting presence known on both "Save It For A Rainy Day" and "Could This Be Love" – mid-tempo funkers. They went on to make a whopping further 7 albums for Gordy - but their debut album is now remembered more as a beginning of High Energy Disco and Soul.

Another superb reissue from BBR and kicking where it matters – sound and presentation…

PS: Big Break Records (BBR) CD Remasters I've reviewed:
1. Send It – ASHFORD & SIMPSON (1977)
2. Is It Still Good To Ya – ASHFORD and SIMPSON (1978)
3. Stay Free – ASHFORD and SIMPSON (1979)
4. Central Heating – HEATWAVE (1977)
5. Hot Property - HEATWAVE (1979)
6. Candles - HEATWAVE (1980)
7. Turnin' On - HIGH INERGY (1977)
8. Harvest For The World - THE ISLEY BROTHERS (1976)
9. Go For Your Guns - THE ISLEY BROTHERS (1977)
10. In The Heart – KOOL & THE GANG (1983)
11. I Hope We Get To Love On Time - MARILYN McCOO & BILLY DAVIS (1976)
12. I Miss You [known as "Harold Melvin The Blue Notes" in the UK] - HAROLD MELVIN & THE BLUE NOTES (1972)
13. Black & Blue - HAROLD MELVIN & THE BLUE NOTES (1973)
14. Love Is The Message - MFSB (1973)
15. Universal Love – MFSB (1975)
16. All The Faces Of... - BUDDY MILES (1974)
17. For The First Time – STEPHANIE MILLS (1975)
18. I Can See Clearly Now - JOHNNY NASH (1972)
19. In Philadelphia - O'JAYS (1969)
20. Back Stabbers - O'JAYS (1972)
21. Ship Ahoy - O'JAYS (1973)
22. Down To Love Town – THE ORIGINALS (1977)
23. Ebony Woman - BILLY PAUL (1970 and 1973)
24. 360 Degrees Of Billy Paul - BILLY PAUL (1972)
25. War Of The Gods - BILLY PAUL (1973)
26. Platinum Hook – PLATINUM HOOK (1978)
27. Love For What It Is - ANITA POINTER (of The Pointer Sisters) (1987)
28. Live: Stompin’ At The Savoy – RUFUS and CHAKA KHAN (1983)
29. Summernights – SILVER CONVENTION (1977)
30. Smoked Sugar - SMOKED SUGAR (1975)
31. Spinners – SPINNERS (1973)
32. Soul Master – EDWIN STARR (1968)
33. Involved - EDWIN STARR (1971)
34. Switch - SWITCH (1978)
35. Watercolors – THE WATERS (1980)
36. Just As I Am - BILL WITHERS (1971)
37. Heartbeats – YARBROUGH & PEOPLES (1983)

Friday 5 February 2016

"Just As I Am" by BILL WITHERS (2012 Big Break Records (BBR) '40th Anniversary' CD Remaster) - A Review by Mark Barry...



This Review Along With Over 300 Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
HIGHER GROUND
SOUL, FUNK and JAZZ FUSION - Exception CD Remasters  
Just Click Below To Purchase for £6.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
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"...Sooth The Local Unwed Mother..."

This is one of my favourite albums of the early Seventies - and at last - in 2012 - a mere 40 years after the event - "Just As I Am" by Bill Withers is finally getting the sound quality its always deserved and needed.

As a "Hall Of Fame" reviewer and long-time contributor to Amazon - I've raved about Britain's BIG BREAK RECORDS before and have bought and reviewed over 40 of their reissue titles. Each has been uniformly superb - especially for those of us looking for great sound quality rather than the half-hearted efforts thrown at us by the majors (when they can be bothered). But BBR has excelled in every way on this lovely and timely reissue. The remaster on this sucker is TRULY GORGEOUS - and after decades of the occasional track on a compilation in only-ok sound - fans of this great songwriter will be duly taken aback by the clarity on offer here. Here are the details...

UK released 7 May 2012 as a '40th Anniversary' issue (15 May 2012 in the USA) – "Just As I Am" by BILL WITHERS on Big Break Records CDBBR 0143 (Barcode 5013929044333) is a straightforward CD Remaster of his debut album and plays out as follows (35:41 minutes):

1. Harlem
2. Ain’t No Sunshine
3. Grandma’s hands
4. Sweet Wanomi
5. Everybody’s Talkin'
6. Do It Good
7. Hope She’ll Be Happier – [Side 2]
8. Let It Be Me
9. I’m Her Daddy
10. In My Heart
11. Moanin' And Groanin'
12. Better Off Dead
Tracks 1 to 12 are his debut album "Just As I Am" - released May 1971 in the USA on Sussex Records SXBS-7006 and June 1971 in the UK on A&M Records AMLS 65002.

SINGLES: Although there are no bonus tracks or outtakes - this release will allow fans to sequence the two USA 7" singles that were released around the album - "Ain't No Sunshine" b/w "Harlem" on Sussex 219 (June 1971 - originally issued in April 1971 with the same catalogue number - but with the tracks reversed) - and "Grandma's Hands" b/w "Sweet Wanomi" on Sussex 227 (October 1971). Britain had slightly different configurations - "Everybody's Talkin'" b/w "Harlem" on A&M Records AMS 845 (May 1971), "Ain't No Sunshine" b/w "Harlem" on A&M Records AMS 858 (September 1971) and "Lean On Me" b/w "Better Off Dead" on A&M Records AMS 7004 (August 1972) [the A-side is on the Sony Legacy CD of his 2nd album "Still Bill"].

This reissue comes in one of those rounded-corner jewel cases and has a jam-packed 16-page booklet with liner notes by Washington-born Soul aficionado RICO "SUPERBIZZAE" WASHINGTON (Editor of the US magazine "Free"). There's a history of the West Virginia Soulman's humble beginnings, label repros of the two Sussex singles off the album and collected colour photos from various TV appearances at the time. The front sleeve was actually shot on a lunch-break from his job at the airlines - lunch-pail in hand. And there's even an interview with the great man (recently featured on a superb BBC documentary film). It's really nicely done and features recording details and album discography on the last pages. But the real news is the SOUND...

Remastered from 1st generation tapes by both NICK ROBBINS at Sound Mastering in London and BBR's own WAYNE A DICKSON at their own studios - the clarity is beautiful. "Just As I Am" is not so much Funky-Soul but more Folk-Soul - so a lot of the tracks have just acoustic guitars and lots of air around them. I went through so many copies of the (frankly dodgy) US Sussex LP and even the British A&M tan label original - and they were always good rather than great - and in some instances hissy as Hell. Not so here. It hasn't been trebled to the nines for the sake of it - it's just breathing.

Right from the off the acoustic guitars and drums on "Harlem" are amazing - as are the strings, soft bass and vocals on his masterful "Ain't No Sunshine" - all so sweet. The fantastically personal and socially aware "Grandma's Hands" still has the power to move (lyrics above) and it's a blast to finally get unheard gems like "Hope She'll Be Happier", "I'm Her Daddy" and "Moanin' And Groanin'" in top-notch sound quality. In fact of the 12 tracks - Withers impressively wrote 10 - the two covers being Fred Neil's "Everybody's Talkin'" (made famous by Nilsson in "Midnight Cowboy") and a very nice uptempo soul take on The Beatles' "Let It Be". Favourites - I particularly love "Do It Good" where the MG's play a blinder in terms of sheer slinky feel. And even though the gunshot at the end of "Better Off Dead" is still too abrupt - it's such a great tune. Yes folks. Love it. Love it. Love it.

If ever an artist deserved praise and rediscovery from this classic Soul period - then it's Bill Withers. For me this is 'Soul Reissue Of The Year' with a bullet.

Buy it and enjoy. And remember - "it's not warm when she's away...only darkness every day..."

PS: Big Break Records (BBR) CD Remasters I’ve reviewed to 2015:
1. Is It Still Good To Ya – ASHFORD and SIMPSON (1978)
2. Stay Free – ASHFORD and SIMPSON (1979)
3. Central Heating – HEATWAVE (1977)
4. Hot Property - HEATWAVE (1979)
5. Candles - HEATWAVE (1980)
6. Turnin' On - HIGH INERGY (1977)
7. Harvest For The World - THE ISLEY BROTHERS (1976)
8. Go For Your Guns - THE ISLEY BROTHERS (1977)
9. In The Heart – KOOL & THE GANG (1983)
10. I Hope We Get To Love On Time - MARILYN McCOO & BILLY DAVIS (1976)
11.  I Miss You - HAROLD MELVIN & THE BLUE NOTES (1972) [known as "Harold Melvin The Blue Notes" in the UK]
12. Black & Blue - HAROLD MELVIN & THE BLUE NOTES (1973)
13. Love Is The Message - MFSB (1973)
14. Universal Love – MFSB (1975)
15. All The Faces Of... - BUDDY MILES (1974)
16. For The First Time – STEPHANIE MILLS (1975)
17. I Can See Clearly Now - JOHNNY NASH (1972)
18. In Philadelphia - O'JAYS (1969)
19. Back Stabbers - O'JAYS (1972)
20. Ship Ahoy - O'JAYS (1973)
21. Down To Love Town – THE ORIGINALS (1977)
22. Ebony Woman - BILLY PAUL (1970 and 1973)
23. 360 Degrees Of Billy Paul - BILLY PAUL (1972)
24. War Of The Gods - BILLY PAUL (1973)
25. Platinum Hook – PLATINUM HOOK (1978)
26. Love For What It Is - ANITA POINTER (of The Pointer Sisters) (1987)
27. Live: Stompin’ At The Savoy – RUFUS and CHAKA KHAN (1983)
28. Summernights – SILVER CONVENTION (1977)
29. Smoked Sugar - SMOKED SUGAR (1975)
30. Spinners – SPINNERS (1973)
31. Soul Master – EDWIN STARR (1968)
32. Involved - EDWIN STARR (1971)
33. Switch - SWITCH (1978)
34 Watercolors – THE WATERS (1980)
35. Just As I Am - BILL WITHERS (1971 Debut LP on Sussex/A&M Records)
36. Heartbeats – YARBROUGH & PEOPLES (1983)

PPS: see also my in-depth review for "The Complete Sussex And Columbia Albums" 9CD Box Set also from 2012...

Tuesday 13 October 2015

"Live: Stompin' At The Savoy" by RUFUS and CHAKA KHAN (2015 Big Break Records CD Remasters) - A Review by Mark Barry...

This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
SOUL, FUNK and JAZZ FUSION - Exception CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


"...Ain't Nobody Does It Better..."

After one whole decade of superb Soul/Funk hits including no less than four US R&B No.1's ("You Got The Love", "Sweet Thing", "At Midnight (My Love Will Lift You Up)" and "Do You Love What You Feel" – all of which are included on this reissue in live form) – Rufus and Chaka Khan decided to bury the hatchet on their acrimonious split and get together for one more Funky hurrah in 1982. Out of three incendiary shows came this legendary double album released in the summer of 1983 (three sides live – the fourth studio – four brand new tracks). The 2LP set even produced a fifth number one in the monster smash in "Ain't Nobody" - a song now considered their 'anthem'.

In truth I'd forgotten just how good Rufus was as a functioning live band and just how complete this release is. What an utter barnstormer – whether they're slap-bassing the Hell out of Soulful tunes or just harmonizing on those gorgeous and sexy ballads – Rufus was a formidable machine on stage with two hugely talented voices out front – Chaka Khan and Tony Maiden. These guys were tight - almost uncannily so. And now with superlative new Audio and Presentation – once again England's Big Break Records (BBR are part of the much respected Cherry Red) have stepped up to the Reissue/Remaster plate and stumped up a classy CD that will have fans dancing in the aisles (the whole double album is fitted onto one disc). Here are the sweet things...

UK released August 2015 (September 2015 in the USA) – "Live: Stompin' At The Savoy" by RUFUS and CHAKA KHAN on Big Break Records WCDBBRX 0313 (Barcode 5013929061330) offers fans the full double-album onto 1CD (no bonus tracks) and plays out as follows (77:59 minutes):

1. You Got The Love
2. Once You Get Started
3. Dance With Me
4. Sweet Thing
5. Tell Me Something Good [Side 2]
6. Stop On By
7. Pack'd My Bags
8. I'm A Woman (I'm A Backbone)
9. At Midnight (My Love Will Lift You Up)
10. Ain't That Peculiar [Side 3]
11. Stay
12. What'cha Gonna Do For Me
13. Do You Love What You Feel
14. Ain't Nobody [Side 4 – Studio Recordings]
15. One Million Kisses
16. Try A Little Understanding
17. Don't Go To Strangers
Tracks 1 to 17 are the double-album "Live: Stompin' At The Savoy" – released August 1983 in the USA and UK on Warner Brothers 9-23679-1. Sides 1, 2 and 3 were recorded live February 12, 13 and 14 of 1982 at the Savoy Theatre in New York City and Produced by Russ Titelman. Side 4 is four new studio recordings (recorded digitally) – two of which were released as singles "Ain't Nobody" and "One Million Kisses". The 2LP set peaked at number 4 on the US R&B Album Charts and No. 50 in the UK Rock & Pop Charts.

RUFUS was:
CHAKA KHAN – Lead Vocals
TONY MAIDEN – Lead Vocals and Guitar
KEVIN MURPHY – Keyboards
DAVID "Hawk" WOLINSKI – Keyboards
BOBBY WATSON – Bass
JOHN ROBINSON – Drums

Addition Musicians Live:
Lenny Castro – Percussion
David Williams – Rhythm Guitar
Jerry Hay – Trumpet
Ernie Watts – Tenor Saxophone, Flute and All Saxophone Solo’s
Larry Williams – Alto Saxophone and Flute
Greg Herbig – Tenor Saxophone and Flute
Stephanie Sprull – Tambourine and Backing Vocals
Lee Maiden and Julia Tillman – Backing Vocals

Additional Musicians for the four Studio cuts on Side 4:
Joe Sample (of The Crusaders) plays piano on "Don't Go To Strangers"
James Newton Howard – Additional Synthesizer
Greg Phillinganes – Synthesizer Bass on "Try A Little Understanding"
Paulinho da Costa – Percussion

You get one of those cute round-corner jewel cases, a 16-page colour booklet with fantastically detailed liner notes from the noted American writer CHRISTIAN JOHN WIKANE which includes interviews several members of the band – Tony Maiden and John Robinson and the legendary Warner Brothers Producer RUSS TITELMAN whose credits include James Taylor, Little Feat, Ry Cooder, Randy Newman, Captain Beefheart, Dion, The B-52's and many more. The centre pages features a collage of the band in full flow at The Savoy, there's repros of the two big American 7" singles "Ain't Nobody" on Warner Brothers 7-29555 (with the live version of "Sweet Thing" on the flipside) and "One Million Kisses" on Warner Brothers 7-29406 with "Stay (Live)" on the flipside - as well as other snaps of Chaka smiling alongside her band.

But the big news is new NICK ROBBINS Remasters carried out at Sound Mastering in London that are just fantastic – the whole soundstage alive and beautifully rendered. I can't express enough just how tight this band was – these are not just workmanlike renditions – they're cooking and as he says in the liner notes – Producer Titelman is rightly proud of what he captured on those three nights in February 1982. Fans are going to love this.
"Stompin' At The Savoy" opens with a razor-sharp guitar-funky performance and a guaranteed crowd-pleaser – the first Rufus number 1 single from February 1974 "You Got The Love". Both it and "Once You Get Started" elicit deserved whoops from a clearly 'loving it' audience – and as the brass section and her huge voice kick in – it’s already a done deal. I’m reminded of the AWB’s live double "Person To Person" from 1977 on Atlantic Records – a band on fire and in the groove. "Once You Get Started" is also the first to feature Tony Maiden's great second vocals – the combo of him and Chaka pretty much defining what wicked Soul/Funk should be. The irresistible Funk Boogie of "Dance With Me" hit No. 5 in April 1976 – here the band get 'the hands going' while the gorgeous ballad "Sweet Thing" ends Side 1 with howls of pleasure from the crowd (for me one of their best moments).

Side 2 opens with voicebox guitar on "Tell Me Something Good" – the real breakthrough hit for Rufus in 1974 on ABC Records – a nasty slice of street Funk that has the backing singers, Chaka and that voicebox working it like pros. "Stop On By" (written by Bobby Womack and Truman Thomas) is truly stunning – Tony and Chaka working that duet vocal thing while the brass section anchor it with a sophistication and polish that's lasted 35 years. Things slow down into sweet smooch and then defiance with Chaka and the girls so damn good on "Pack'd My Bags" - while the Lalomie Washington stand-up-for-yourself anthem "I'm A Woman (I'm A Backbone)" strikes a guitar groove – the band so perfectly at one as that guitar solos. "At Midnight (My Love With Lift You Up)" brought them their third No.1 R&B smash in February 1977 on ABC Records – here it gets seriously funked-out.

They open Side 3 with a Funkified reworking of Marvin Gaye's "Ain't That Peculiar" which acted as reminder of the mighty Tamla Motown singer and predated Marvin's return to glory later in 1983 with "Sexual Healing". You wouldn't think something "Stay" would work live but the harmonising vocals and sweet playing makes it another mid-tempo nugget hidden deep inside this double. "...Everybody join in and clap your hands..." Tony urges on "What'cha Gonna Do For Me" which always reminds me of the Average White band who co-wrote it with another unsung 70s hero – Ned Doheny (see my review for his "Hard Candy" and "Prone" albums on a 2011 SuperBird CD Remaster). The live set and Side 3 ends on another David "Hawk" Wolinski winner (he wrote "Ain't Nobody") – the seven minutes of "Do You Love What You Feel" – their 4th No.1 in October 1979 on MCA Records.

The studio side opens with a monster – a song that probably defined them "Ain't Nobody". It was issued in July 1983 (a month before the album) and quickly slaughtered all in its Radio-friendly path rising to No. 1 in the USA and No. 8 in the UK (it was a global hit in fact). "Ain't Nobody" sounds fabulous here - as does the 2nd single off the album in January 1984 - the less inspiring "One Million Kisses" penned by the band's Keyboardist Kevin Murphy as a co-write with Jeffrey Osbourne. Fantastic audio comes into play with the uber-slick Funk of "Try A Little Understanding" written by Chaka and Tony Maiden. But for me the side ends in the best possible way – an inspired cover of Al Martino's 1954 hit "Don't Go To Strangers" (also popularised by Etta Jones in 1960). They apparently recorded it 'live' in the studio with an orchestral arrangement – and after only a few takes of the Jazzy interpretation - Joe Sample of The Crusaders was so moved by the spookily good performance that he said. "The holy ghost stepped into the room on that one!" The combo of Chaka letting rip vocally, Joe plinking away so classily on the keys and the lush melody and strings – it’s beautiful stuff and makes you wish they'd attempted a whole album of standards in this way, but alas...

"Live: Stompin' At The Savoy" by Rufus and Chaka Khan is a prestigious CD release for Big Break Records who have been steadily winning over Soul, Funk, Disco and Fusion fans for years now. Well done to all involved and for me a 'Soul Reissue of 2015' without any hesitation...

Big Break Records (BBR) CD Remasters I’ve reviewed to October 2015:

1. Is It Still Good To Ya – ASHFORD and SIMPSON (1978)
2. Stay Free – ASHFORD and SIMPSON (1979)
3. Central Heating – HEATWAVE (1977)
4. Hot Property - HEATWAVE (1979)
5. Candles - HEATWAVE (1980)
6. Turnin' On - HIGH INERGY (1977)
7. Harvest For The World - THE ISLEY BROTHERS (1976)
8. Go For Your Guns - THE ISLEY BROTHERS (1977)
9. In The Heart – KOOL & THE GANG (1983)
10. I Hope We Get To Love On Time - MARILYN McCOO & BILLY DAVIS (1976)
11. I Miss You - HAROLD MELVIN & THE BLUE NOTES (1972) [known as "Harold Melvin The Blue Notes" in the UK]
12. Black & Blue - HAROLD MELVIN & THE BLUE NOTES (1973)
13. Love Is The Message - MFSB (1973)
14. Universal Love – MFSB (1975)
15. All The Faces Of... - BUDDY MILES (1974)
16. For The First Time – STEPHANIE MILLS (1975)
17. I Can See Clearly Now - JOHNNY NASH (1972)
18. In Philadelphia - O'JAYS (1969)
19. Back Stabbers - O'JAYS (1972)
20. Ship Ahoy - O'JAYS (1973)
21. Down To Love Town – THE ORIGINALS (1977)
22. Ebony Woman - BILLY PAUL (1970 and 1973)
23. 360 Degrees Of Billy Paul - BILLY PAUL (1972)
24. War Of The Gods - BILLY PAUL (1973)
25. Platinum Hook – PLATINUM HOOK (1978)
26. Love For What It Is - ANITA POINTER (of The Pointer Sisters) (1987)
27. Live: Stompin’ At The Savoy – RUFUS and CHAKA KHAN (1983)
28. Summernights – SILVER CONVENTION (1977)
29. Smoked Sugar - SMOKED SUGAR (1975)
30. Soul Master – EDWIN STARR (1968)
31. Involved - EDWIN STARR (1971)
32. Switch - SWITCH (1978)
33. Watercolors – THE WATERS (1980)
34. Just As I Am - BILL WITHERS (1971 Debut LP on Sussex/A&M Records)
35. Heartbeats – YARBROUGH & PEOPLES (1983)

This review is part of my SOUNDS GOOD Music Book Series. One of those titles is SOUL, FUNK and JAZZ FUSION - Exceptional CD Remasters - an E-Book with over 245 entries and 2100 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 


Tuesday 28 July 2015

"Universal Love" by MFSB (2015 Big Break Records Expanded CD – Nick Robbins and Wayne A. Dickson Remasters) - A Review by Mark Barry...



This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
SOUL, FUNK and JAZZ FUSION - Exception CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


"...My Mood..."

In April 1975 (with the Vietnam War officially declared over by President Ford) – the last troops left Saigon and America was ready to party and feel good. You can see this in the sleeve of June 1975's "Universal Love" by MFSB (MFSB was the in-house Soul Orchestra for Gamble & Huff’s Philadelphia International label). A sun rises on a vessel-less sea that has flowers of hope floating above it – a far cry from the cover art for MFSB's 2nd album "Love Is The Message" from December 1973 with its ugly skull soldier and atomic bomb explosion looming in the background (the self-titled debut album from April 1973 showed a syringe lying in a coffin - reflecting America’s inner-city slide into drugs). The largely instrumental "Universal Love" album contained sexy rhythms and warm sways totally capturing the National zeitgeist and catapulting it up to No.2 on the American R&B charts and an impressive No. 4 on the US Pop charts. This 2015 Expanded BBR CD is a great celebration of that warmly remembered summer record and here are the tender loving cares (with big strings and even bigger hairdos)...

UK released July 2015 – "Universal Love: Expanded CD Version" by MFSB on Big Break Records CDBBRX 0312 (Barcode 5013929061231) breaks down as follows (46:41 minutes):

1. Sexy
2. MFSB
3. Human Machine
4. Love Has No Time Or Place
5. T.L.C. (Tender Loving Care) [Side 2]
6. Let's Go Disco
7. K-Jee
8. My Mood
Tracks 1 to 8 are their 2nd studio album "Universal Love" – released June 1975 in the USA on Philadelphia International KZ 33158 and July 1975 in the UK on Philadelphia International S PIR 80410

BONUS TRACKS:
9. Sexy (Single Version)
10. T.L.C. (Tender Loving Care) (Single Version)
11. Let's Go Disco (Promotional Single Version)
12. K-Jee (Single Version)

Four 7" singles were released in the UK and USA around the album and this BBR CD will allow fans to sequence 'most' of them as follows...
[9] = Track 9 on the CD:

1. Sexy [9] b/w Human Machine [3]
Released May 1975 in the USA on Philadelphia International ZS8 3567
Released July 1975 in the UK on Philadelphia International S PIR 3381
Notes: the A-side is a 7" single edit at 3:13 minutes, the album cut is 3:36 minutes. "Sexy" also turned up at a B-side to the January 1977 UK reissue 7" single of "TSOP (The Sound Of Philadelphia)" by MSFB on Philadelphia International S PIR 4888.

2. T.L.C. (Tender Loving Care) [10] b/w Love Has No Time Or Place
Released September 1975 in the USA on Philadelphia International ZS8 3576
Notes: the A-side is a 7" single edit at 3:20 minutes, the album cut is 3:44 minutes. The B-side "Love Has No Time Or Place" is also an edit at 3:30 minutes but unfortunately isn't included on this CD (the full album version runs to 6:21 minutes). There was no UK 7" issue.

3. Let's Go Disco [6] b/w My Mood [8]
3. Let's Go Disco (Album Version) [6] b/w (D.J. Short Version) [11]
Released September 1975 in the UK on Philadelphia International S PIR 3635. Only the Demo/Promo version had a 'D.J. Short Version' on the B-side running to 2:37 minutes instead of the album's 4:18 minutes on the A.

4. K-Jee [12] b/w My Mood [8]
Released March 1978 in the USA on Philadelphia International ZS8 3641
Released May 1978 in the UK on Philadelphia International S PIR 6287
Notes: the A-side is a single edit at 3:20 minutes while the album full version is 4:19 minutes – the B-side is the full album version at 4:15 minutes.

The CD comes in one of those round-corner jewel cases BBR seems to favour their reissues while the 16-page booklet features new liner notes by noted NYC-based Soul writer CHRISTIAN JOHN WIKANE. There’s detailed discussion on the sophistication of the album for the Disco genre and its popularity across all boards (including the Pop world) – all of it peppered with photos of those American Philadelphia International labels along with rare European picture sleeves and photos of the huge ensemble orchestra. But the big news (as ever with BBR) is a superb remaster by NICK ROBBINS and BBR's main tape man WAYNE A. DICKSON. Primarily an 8-track instrumental LP with vocals only on "Love Has No Time Or Place" and "Let's Go Disco" – the emphasis was always going to be on the orchestral swirls, guitar licks, bass slaps, brass punches and that high-hat rhythm. This CD sounds fabulous. If I was to single out one track that shows this it’s the gorgeous album finisher "My Mood" – an instrumental that sounds like easy-listening Bacharach taken to another Soulful level. I’ve had this on Philly compilations of old – but the audio off this beauty beats them all. Impressive...

Kenneth Gamble and Leon Huff not surprisingly penned the two slick openers – the dancefloor friendly "Sexy" and "MFSB" (Mothers Fathers Sisters Brothers) and they sound fab. Ron Baker of the Salsoul Orchestra co-wrote "Human Machine" with Leon Huff and is a mid-tempo groove with great Steely Dan-ish guitar and keyboard flicks (feels like Disco all grown up and proud of itself). By the time you get to the six-minute "Love Has No Time Or Place" (written by Bruce Hawes and Cynthia Briggs) the group has reached a place of sophisticated excellence that is hard to resist – a perfect hybrid of Disco girl-vocals over George Benson Jazz guitar licks – all of it complimented by that shuffling Philly backbeat and the ever-present lush strings. It’s an impressive groove and frankly sexy too.

Side 2 opens with "T.L.C. (Tender Loving Care)" – a jazzy slide in gives way to pure Philly bop – all high-hats, wah-wah guitars, brass and strings. We get a bit Funk with "Let's Go Disco" where they sound like Kool & The Gang and "K-Jee" is cool too –but my poison has always been the masterful Gamble & Huff slink of "My Mood" – a stunning instrumental that feels the ultimate Easy Listening Jazz cool. I'm always putting it on Soul CD-R compilations in order to show off my Soul smarts and Street cred (oh dear)...

So there you have it – a wicked 2015 Expanded CD reissue for MFSB's "Universal Love" and with that crack-a-lacking Audio - a must own for fans everywhere. The only glitch is the absence of that 7" Single Edit of "Love Has No Time Or Place" (a bad mistake really) – but other than that slip up - this is another BBR audio winner - and well done to all the bods in Big Break Records who got it out into the public domain in such style...

PS: Big Break Records (BBR) CD Remasters I’ve reviewed up to July 2015:

1. Central Heating – HEATWAVE (1977)
2. Hot Property - HEATWAVE (1979)
3. Candles - HEATWAVE (1980)
4. Turnin' On - HIGH INERGY (1977)
5. Harvest For The World - THE ISLEY BROTHERS (1976)
6. Go For Your Guns - THE ISLEY BROTHERS (1977)
7. I Hope We Get To Love On Time - MARILYN McCOO & BILLY DAVIS (1976)
8.  I Miss You - HAROLD MELVIN & THE BLUE NOTES (1972) [known as "Harold Melvin The Blue Notes" in the UK]
9. Black & Blue - HAROLD MELVIN & THE BLUE NOTES (1973)
10. Love Is The Message - MFSB (1973)
11. Universal Love – MFSB (1975)
12. All The Faces Of... - BUDDY MILES (1974)
13. For The First Time – STEPHANIE MILLS (1975)
14. I Can See Clearly Now - JOHNNY NASH (1972)
15. In Philadelphia - O'JAYS (1969)
16. Back Stabbers - O'JAYS (1972)
17. Ship Ahoy - O'JAYS (1973)
18. Down To Love Town – THE ORIGINALS (1977)
19. Ebony Woman - BILLY PAUL (1970 and 1973)
20. 360 Degrees Of Billy Paul - BILLY PAUL (1972)
21. War Of The Gods - BILLY PAUL (1973)
22. Platinum Hook – PLATINUM HOOK (1978)
23. Love For What It Is - ANITA POINTER (of The Pointer Sisters) (1987)
24. Summernights – SILVER CONVENTION (1977)
25. Smoked Sugar - SMOKED SUGAR (1975)
26. Soul Master – EDWIN STARR (1968)
27. Involved - EDWIN STARR (1971)
28. Switch - SWITCH (1978)
29. Watercolors – THE WATERS (1980)
30. Just As I Am - BILL WITHERS (1971 Debut LP on Sussex/A&M Records)
31. Heartbeats – YARBROUGH & PEOPLES (1983)

Monday 8 June 2015

"Summernights" by SILVER CONVENTION (2015 Big Break Records Expanded Version CD Remaster) - A Review by Mark Barry



AMAZON UK Best-Price Link Is Above - AMAZON USA Best-Price Link Below



“...Dancing In The Streets...” 

Formed in Germany in 1974 just before the Disco explosion took Europe, the USA and the World by storm in 1976 and 1977 – the three ladies of SILVER CONVENTION were essentially a front vocal group for the songwriting of Sylvester Levay and Michael Kunze – sort of Europe’s answer to Bernard Edwards and Nile Rodgers.

Lead by New Yorker vocalist Rhonda Heath (Penny McLean and Roman Wulf were the other two) – the musical mix of American Bass-Driven Funk with Euro Strings taking centre-stage over the backbeat gave Silver Convention their hugely commercial radio-friendly sound.

The “Summernights” album (called “Golden Girls” in the USA and Australia) was originally released May 1977 on Jupiter Records 280966-OT (Tracks 1 to 9 on the CD). This June 2015 British CD Remaster on Big Break Records CDBBR 0284 (Barcode 5013929058439) features a new NICK ROBBINS Remaster done in London’s Sound Mastering that’s amazingly clear and full of life and pluck. There are also two BONUS TRACKS – “Telegram (Single Version)” which cuts down from the album track from 5:33 to 3:00 minutes - and “Ain’t It Like A Hollywood Movie (12” Disco Version)” which extends the LP cut from 5:08 to 7:41 minutes.

You get the usual classy-looking 12-page booklet from BBR – this time with photos of the ladies in their Disco refinery, rare European 7” single picture sleeves and detailed/informed liner notes by THOMAS DEL POZO – a writer and researcher based in Toronto (who thanks Rhonda Heath for her recollections). The Expanded CD runs to 50:54 minutes.

The full album cut of “Hotshot” (issued as an edited 7” single) boogies along for six minutes and is just the kind of groovy Funk-with-Strings High Energy number those disc-spinning jocks love. You wouldn’t quite say it was CHIC – more a Three Degrees by way of Philly variant. In fact stuff like “Wolfchild” would have been on an MFSB album just without the vocals. “Telegram” is very cheesy Abba Eurovision fodder (the song represented Germany in 1977 and finished in 8th place) – better is the Disco vibe to “Ain’t It Like A Hollywood Movie”.

“Summernights” is not all brilliant by any stretch of the imagination - but fans of High Energy and Euro Disco with Strings will love the quality Audio and decent presentation...


INDEX - Entries and Artist Posts in Alphabetical Order